Four Peaks: The Crown Jewel of the Mazatzal Mountains Picture of the Week - Fountain Hills, Arizona

Four Peaks in the Mazatzal Mountains: Majestic mountain range against a backdrop of lenticular clouds and blue sky.
Four Peaks: The Crown Jewel of the Mazatzal Mountains – A captivating view of Four Peaks and the dramatic play of lenticular clouds in the Arizona sky.

Yea! We’ve made it over the hump. Now we start whittling away the second half of 2023. But first, we must suffer through the insufferable—our monsoon season. As we enter the scorching summer months in Arizona, fleeing from the heat becomes a top priority for Phoenicians. We seek refuge in the pleasant mountain landscapes outside the city to beat the relentless triple-digit temperatures and humidity. But hey! I’m here to help, so July’s photo project involves one of the escape routes Phoenicians by the thousands use each weekend—the Beeline Highway.

It’s been at least a decade since I last drove Arizona State Route 87, but last month, my friend—and regular contributor—Fred asked me to help him fetch some trailer equipment in Heber—a small community on the Mogollon Rim. As he drove through the rugged mountains to Payson, I rode shotgun and thought, ‘I forgot how spectacular this scenery is. I need to come back with my camera.’ That’s when I decided to do July’s Mazatzal Mountains project and use the Beeline Highway for our trail. It sure beats hiking.

The name—Mazatzal—is a directive of a tribal word the Spanish picked up from the native Indians, Mazatzalli—meaning ankle bone. The Yavapai thought these mountains resembled an ankle when viewed from certain angles. Situated northeast of Phoenix, the Mazatzal Mountains stand as a rugged and formidable barrier, marking the gateway to the Rim Country. These majestic peaks serve as a scenic backdrop for Phoenicians as they embark on their journey to the Mogollon Rim and its surrounding areas. While the Mazatzals offer breathtaking vistas and a sense of natural grandeur, access to their remote backcountry is primarily reserved for avid hikers, horseback riders, and outdoor enthusiasts seeking a more adventurous experience. It’s important to note that due to the rugged nature of the terrain and limited facilities, the Mazatzals may present challenges in terms of accessibility, especially for individuals with mobility restrictions.

As we travel along the Beeline Highway, we traverse a physical distance and ascend through a tapestry of changing climates and vegetation. From the arid lowlands near Phoenix, we gradually ascend into cooler uplands adorned with diverse flora. We witness transition from cacti-dotted desert landscapes to lush pine forests and high-altitude meadows. This elevation-driven change in vegetation is a constant reminder of the varied ecosystems thriving within the Mazatzal Mountains.

This brings us to this week’s image—Four Peaks: the Crown Jewel of the Mazatzal Mountains. This image is my latest attempt to capture the highest point in Maricopa County. Well, they’re the highest four points in the county. From left to right, they’re named: Brown’s Peak (7657′), Brother Peak (7642′), Sister Peak (7572′), and Amethyst Peak (7524′). On the afternoon that Queen Anne and I stopped to take this image, it was windy, and the sky was filled with lenticular cumulus clouds (cirrocumulus clouds that look like lenses). As they crossed the sky, they cast shadows on the mountain, adding depth and drama to the composition. Without the shadows, the mountain would appear flat and featureless.

Thank you for joining us on this virtual journey through the Mazatzal Mountains. We invite you to share your experiences and memories of these stunning landscapes. Feel free to connect with us and the community as we continue exploring this magnificent region’s natural wonders. Stay tuned for our next installment, where we delve deeper into the heart of the Mazatzals.

Sugarloaf and Sycamore Creek: Impressive rock formation and desert landscape in Arizona's back-country.
Sugarloaf: A Gateway to the Majestic Mazatzal Mountains – When the Beeline Highway passes between Four Peaks and this landmark, you know you’re finally out of town and into the Mazatzals.

If you’d like to see a larger version of Four Peaks, you can do that in several ways. The first is to visit its Webpage using this link (https://www.jimwitkowski.com/newWork/fourPeaks.html). Miss Deb reported last week that the second method works only if you use a desktop computer. Follow this link (https://fineartamerica.com/featured/four-peaks-jim-witkowski.html) to my posting on Fine Art America. Please hover your mouse cursor over the image until a green square appears (they’re magically delicious). Select the area you want to inspect, and then click. A one-to-one preview window of that section will open on the screen.

Till Next Time
jw

Techniques: Embracing the Elements and Finding Drama in Nature’s Surprises

Photography is a dance with elements; sometimes, the most captivating images come from natural surprises. As photographers, we can embrace these elements and find beauty and drama in their presence. The photo of Four Peaks with its lenticular cumulus clouds and their resulting shadows is a prime example of how nature can add a touch of magic to our compositions. When faced with unique cloud formations, we may be tempted to wait for them to clear, fearing they will obscure the peaks. However, there is value in embracing the unexpected and capturing the scene as it unfolds. By incorporating the lenticular cloud shadows, the image takes on a new level of depth and intrigue. The shadows play across the rugged mountain terrain, accentuating its contours and adding drama to the composition.

When you find yourself amid nature’s surprises—a sudden storm, an unexpected play of light, or unusual cloud formations—embrace them. Explore their potential to add depth, drama, and a touch of magic to your photographs. Remember, breaking the rules or deviating from your initial plans can lead to some of your most captivating and memorable images.

Shades of Solitude: A Tranquil Scene at the Barn Picture of the Week - Paso Robles, California

A weathered barn standing in peaceful solitude, basking in the warm evening glow
Shades of Solitude: A Tranquil Scene at the Barn – Witnessing the quiet beauty of an abandoned barn as the evening sun casts its gentle rays, inviting reflections on the simplicity and nostalgia of rural life.

Thanks for joining us for this, our last photo and story from our visit to San Luis Obispo County. Throughout our journey, we’ve discovered many subjects to photograph in this beautiful part of California, even when our schedules are filled with other activities. And that brings us to this week’s image.

You see, I have always been attracted to old white buildings. Perhaps it started during my early years of working with black and white, where these structures had an uncanny ability to pop against a dark background in prints. This allure has carried over into my color photography. Whenever I stumble upon a weathered white relic standing proudly in the fields, I feel compelled to stop my truck and capture its essence.

One such encounter occurred during our visit to the Adelaide Wine District in Paso Robles. As Queen Anne and I hurried along a narrow back road en route to our vineyard appointments, we inadvertently passed by a charming white barn. In that fleeting moment, I instinctively exclaimed to Anne, ‘I got to get me a picture of that barn.’

We found ourselves racing east, west, and back again past the white landmark three times, like in a Road Runner cartoon scene. Imagine those exact words hanging in the trail of dust left behind us. After our final tasting, we allowed ourselves to leisurely return to the barn to capture its portrait through my lens.

Something is enchanting about these old white buildings. Their weathered facades, the stories etched into their walls, and the unique character they bring to the landscape captivates me. In the case of this barn, the quality of light, the interplay of shadows, the closed doors, and its tidy upkeep evoked a sense of tranquility and a conclusion to a day of hard work.

In this particular example, which I refer to as Shades of Solitude, I was fortunate that circumstances prevented me from stopping at the barn earlier. Those extra hours before I returned allowed the sun to descend toward the horizon, casting a warm and inviting glow upon the scene. The timing of the sun’s position enhanced the barn’s features, accentuating the corrugated texture of its weathered exterior.

One of the delightful surprises that unfolded due to the lower sun was the presence of a tree that partially blocked the sun. This seemingly obstructive element turned out to be a blessing in disguise. The sun’s rays filtered through the branches and leaves, creating an interplay of light and shadow. Those soft, dappled shadows on the barn’s facade added depth, dimension, and a touch of mystery to the composition.

In the presence of the barn, time slowed down, allowing me to appreciate the peace that enveloped the scene entirely. The absence of noisy tractors, the distant hum of traffic, and the clamor of the everyday hustle and bustle created a sanctuary of tranquility.

You have a couple of options to view a larger version of Shades of Solitude. Visit its dedicated webpage by clicking this link: (Webpage link: Shades of Solitude). For a more detailed image examination, head to my posting on Fine Art America: (FAA link: https://fineartamerica.com/featured/shades-of-solitude-jim-witkowski.html). On the Fine Art America page, if you hover over the image, you’ll see a green square; clicking inside the enclosure will grant you a one-to-one preview, allowing you to explore the intricate details of the photograph—an indulgence we photographers often call “pixel-peeping.”

We are delighted you joined us on this journey to Shades of Solitude and hope you find comfort in its tranquility. As we conclude our trip through Shades of Solitude, we extend our heartfelt gratitude for joining us in exploring quiet beauty and tranquil moments. May this image serve as a gentle reminder to seek solace in the peaceful corners of our world and to appreciate the moments of stillness that bring a sense of calm to our busy lives. Please join us again next week when we return to the Sonoran Desert to explore some familiar Phoenix landscapes.

Till next time
jw

Techniques: Seeing and Using Contrast to Enhance Your Photographs

Mastering contrast is critical to creating captivating and visually striking photographs. Contrast is the difference between light and dark tones, colors, textures, or subjects within an image. By understanding how to see and utilize contrast effectively, you can elevate the impact of your photographs and create images that truly stand out.

Emphasize Light and Dark: Achieve contrast by incorporating substantial variations between light and dark areas in your composition. Seek scenes with bright highlights and deep shadows, and consider how these contrasting elements can add drama and depth to your photographs. Pay attention to the direction and quality of light to create compelling contrasts that enhance the visual impact of your subject.

The contrast in Colors: Leverage the inherent qualities of colors to create visually striking images. Explore complementary colors, such as blue and orange or red and green, to generate vibrant contrasts that command attention. Experiment with warm and cool tones to add visual interest and create a sense of depth in your photographs.

Textural Contrast: Texture plays a significant role in photography. Incorporate contrasting textures like rough versus smooth, soft versus complex, or matte versus glossy to add visual intrigue and tactile depth to your images. Consider how these differences can create a captivating interplay within your composition.

The contrast in Subjects: Create contrast by incorporating diverse subjects within your frame. Experiment with combining elements with distinct characteristics or qualities, such as organic shapes against geometric structures, nature against artificial objects, or a minor subject against a vast landscape. The juxtaposition of contrasting subjects can create visual tension and enhance the overall impact of your photographs.

By developing a keen eye for contrast and understanding how to use it effectively, you can elevate the storytelling potential of your photographs and create images that leave a lasting impression on your audience.

Valencia Peak Vista: Capturing the Essence of Montaña de Oro Picture of the Week - Morro Bay, California

Landscape view of Bluff trail winding through grassy field with majestic mountains in the background at Montaña de Oro State Park in California
Valencia Peak Vista: Capturing the Essence of Montaña de Oro – Immerse yourself in the breathtaking beauty of Montaña de Oro State Park as you follow the beautiful Bluff trail, surrounded by rolling grassy fields and towering mountains. Discover this hidden gem’s serenity and natural wonders on California’s central coast.

Welcome back to our San Luis Obispo County project. As I tried to explain last week, it’s one of our favorite spots on the planet. Usually, the purpose of our trips involves wine tasting, so we spend most of our time traveling the roads that run past the vineyards and traverse the coastal mountains—the Santa Lucia Range. With an extra day set aside for photography, Queen Anne and I made a pact to explore places in San Luis Obispo County that were new to us.

On the morning of our shoot—after I dragged her majesty out of bed while we ate breakfast—I showed her a road I found on our California Gazetteer. It began in Morro Bay and made its way along the coast on the Montaña de Oro headlands to Pismo Beach. I told her my plans to drive down to the resort town and then return via the 101 Freeway. She thought that was a great idea as long as there was a candlelight dinner and a glass of Chardonnay at the road’s end. However, halfway through the drive, we found a locked gate preventing us from going further. It turned out that someone built the Diablo Canyon Nuclear Generating Station in our way and closed the road—how inconsiderate.

Our day wasn’t a total loss because, between Morro Bay and the gate, we drove through three nature preserves: Morro Bay Estuary, El Morro Elfin Forest, and Montana de Oro State Park. Since we had to double back, I’d have to settle with subjects along our route—oh, pity the poor photographer because each place is worthy of an afternoon—if not longer.

Morro Bay Estuary: A coastal wetland teeming with diverse wildlife and stunning vistas. A network of trails to explore that wind through the estuary offers opportunities to spot various bird species, including majestic herons and graceful egrets. If you remember to bring your mukluks, you may even try digging for clams or annoying the critters you’ll find in the tidal pools.

El Morro Elfin Forest: Unique and magical woodland. Marvel at the twisted, dwarfed trees that named the forest, creating an ethereal atmosphere. Stroll along the well-maintained trails, enjoying the tranquil ambiance and the delicate balance between the forest and the surrounding coastal dunes. Keep your eyes peeled for rare plant species and enjoy the peaceful serenity of this hidden gem.

Montana de Oro State Park: A coastal paradise of rugged cliffs, golden beaches, and sweeping vistas. Hike along the stunning bluffs overlooking the Pacific Ocean, witnessing the power of crashing waves and the dramatic coastal scenery. Explore the tide pools, where you can encounter a fascinating array of marine life, and venture further into the park to discover hidden coves and secret beaches.

I took this week’s image at the Bluff trailhead in the State Park. From the parking area, we had a choice of taking the trail down to the ocean or venturing across the street to embark on the course that led us into the majestic mountains. As we made our way along the path, the peaks rising to Valencia Peak stood before us, their commanding presence adding a sense of grandeur to the surrounding landscape. Amidst this natural beauty, my attention was drawn to the display of a bright orange Indian paintbrush. I knew that capturing this scene would encapsulate the essence of Montaña de Oro’s breathtaking vistas.

We invite you to visit the web version of this image, where you can view a larger version of Valencia Peak Vista: Capturing the Essence of Montaña de Oro. Immerse yourself in the stunning scenery, the rich colors, and the sense of serenity captured in this image. It’s a visual testament to the beauty in San Luis Obispo County.

Mark your calendars, and come back next week for another captivating tale and image. Until then, keep exploring, keep capturing moments, and remember that every step you take can lead to new and remarkable discoveries.

Till next time
jw

Techniques: Utilizing Leading Lines in Your Photographs

Leading lines such as the trail, the line of peaks, and the swale in this week’s image are powerful compositional elements that add depth and guide the viewer’s eye through the image. They create a visual pathway, drawing attention and creating a sense of movement. Whether straight, diagonal, or curved lines enhance the overall composition and introduce a three-dimensional quality.

These lines don’t have to be literal; the arrangement of objects or elements can imply them. By utilizing leading lines effectively, you can elevate your images’ impact and storytelling potential, inviting viewers to explore and discover hidden depths within the frame.

You can transform a simple scene into a captivating visual story by incorporating leading lines into your photography. Experiment with different types of lines and their placement to create a dynamic narrative within your image. Consider how leading lines interact with other elements and the mood they evoke.

Slope Serenade: A Symphony of Shadows and Light Picture of the Week - Cambria, California

A captivating landscape photo of Adelaida winery's orchard on a hill, with rolling grassy hills in the foreground, under a clear blue sky in San Luis Obispo.
Slope Serenade: A Symphony of Shadows and Light: This scene captures the heart of San Luis Obispo – Adelaida winery’s neatly arranged orchard rises towards a clear blue sky, contrasted with rolling grassy swells and randomly placed dormant trees in the foreground. The late afternoon light casts deep shadows, enriching the colors and depth of the scene.

It was that transition period between when the dream ended, and my brain realized that none of it made sense. Even though my eyes were still closed, I could tell it was getting light outside. The sparrows that live outside our window were bragging to the world that they had survived the night with their monotonous and repetitive one-note song. Their cheerfulness was annoying, and I wanted to get up and prove them wrong. My eyes opened, and I was startled to see a pair of terrifyingly familiar green eyes inches from my face piercing into my soul. “Where are you taking me for our anniversary this year?” she declared.

And so it began—our yearly Where-We-Going debate. It always starts with me suggesting picturesque destinations where I’d love to capture photos. In response, Anne dismisses each of my ideas with a wave of her hand and a flimsy excuse for why it won’t work. Eventually, the routine is settled when her eyes turn to her computer screen, scanning her travel-deal website. She comes to me with deals she’s found online, and we pick the best-sounding offers. But, when one of the Cambria hotels flashes a special offer, the debate ends abruptly, and we always seem to put it above all the others. I sometimes wonder why we even contemplate other locations. Cambria has our hearts, and with each visit, our love for it grows.

San Luis Obispo County holds a special place in our hearts, like a second home we never owned but always felt belonged to us. Each visit brings a sense of familiarity, a comforting assurance as if I’m retracing steps I’ve walked in another life. You see, there’s something about the central coast that’s magnetic. Its diverse landscapes, from the untamed coastlines where waves crash like thunderous applause against the rugged cliffs to the vineyards cascading over the rolling hills like emerald tapestries, invite us to immerse ourselves in a masterpiece of nature’s artistry.

Among the many charming towns in San Luis Obispo County, our favorite home base is Cambria. Nestled where the majestic pines meet the sea, Cambria embodies a unique enchantment. It’s coastal charm and small-town atmosphere create a perfect backdrop for our adventures. From strolling along Moonstone Beach, where the waves gently caress the shore, to exploring the quaint shops and art galleries in the historic East Village, Cambria feels like our personal sanctuary.

Honestly, the natural allure of the trip is the wine tasting—that’s a given. But if I negotiate an additional free day, the photographic opportunities in San Luis Obispo County are boundless. Nestled between the valleys of the inland and the majestic Coastal Range, San Luis Obispo County unfolds like a treasure trove of visual poetry, offering a kaleidoscope of subjects for my lenses to capture, each frame a brushstroke on the canvas of memories.

Securing that additional day, it’s a win-win for both of us. We get to explore fresh corners of the county, indulge in yet another incredible evening of indulgence, and gather a trove of memories to share with you; in the end, everyone’s content. And as they say—a happy wife means a husband that gets to live another day. We always leave with smiles and anticipation for the next visit.

And it’s not just the visual and culinary delights that captivate us. The welcoming spirit of the people we encounter during our visits adds an extra layer of warmth to the experience. From the passionate winemakers eager to share their stories to the locals who greet us with open hearts, their genuine hospitality further enriches our journey.

Thank you for taking the time to join us on this journey and being part of our story. This week’s photograph captures a piece of the enchantment that San Luis Obispo County holds for us. The orderly orchard, the wild grass, the deep shadows under the trees… It’s a tale of balance and contrast, where the ordered and the wild coexist. You can check out Slope Serenade’s web version here (https://www.jimwitkowski.com/newWork/orchird.html).

Next week, we’ll delve deeper into our adventures in San Luis Obispo County, sharing more stories and photos from this beautiful part of the world. Until then, keep exploring, keep dreaming, and remember every journey starts with a single step.

Till next time
Jw

Technique: Learning to See Light and Shapes

This week’s photograph shows how paying attention to light can make your pictures more interesting. The photo was taken in the late afternoon when the sun was starting to set. This type of light is often called “golden hour” and casts long, deep shadows under the orchard trees. Those shadows add depth, making the trees look more three-dimensional and the scene more dramatic.

When taking a photo, it’s essential to consider how the light interacts with your scene. In this picture, the golden hour light highlights the rich green color of the orchard, which stands out against the more natural, brownish color of the wild grass in the foreground. That contrast helps to separate the two areas and draw attention to the orchard.

Marble Memories: Tale of the Gadsden Hotel’s graceful stairs Picture of the Week - Douglas, Arizona

Marble Memories - Immerse yourself in the timeless elegance of the Gadsden Hotel's grand marble staircase, inviting you to step into a world of architectural splendor.
Marble Memories – Immerse yourself in the timeless elegance of the Gadsden Hotel’s grand marble staircase, inviting you to enter a world of architectural splendor.

Welcome to our wrap-up of May’s Orphan Photo Project. I hope you’ve been enjoying the show so far. This week’s episode takes us back to Cochise County and the border town of Douglas. Like several towns along our southern border, it has only a quarter of the population of its southern sibling—Agua Prieta. Unless you’re on a mission to score some cheap Kahlua, mescal, or prescription drugs, there are not many reasons to go to Douglas, but a stop at the iconic Gadsden Hotel is one of them.

Yes, I have uncovered another grand hotel from Arizona’s mining days—so indulge me. It was built at the turn of the 20th Century by mining corporations to satisfy old fat cats that traveled here to inspect the books. They couldn’t be expected to sleep in tents like the commoners they paid. These tycoons needed a place to smoke cigars and sip cognac while stuck in the wild.

The Gadsden Hotel’s architecture reflects the elegance and grandeur of the time, with its ornate facade and intricate details. It was designed to provide a luxurious experience for its guests, offering luxury accommodations, fine dining, and entertainment. It was among the first to provide in-room toilets, fresh air ventilation (yes, that sounds like open windows to me, too), and an elevator that stopped on each of its floors. Today, I’m not going to waste time gushing over this fabulous hotel; I’d rather gossip about some of its guests. That’s where all the fun is.

In the early 1900s, during the tumultuous Mexican Revolution, battles often spilled over into the border towns of Arizona. Douglas was no exception. One day, as the sounds of gunfire echoed through the streets, the guests of the Gadsden Hotel sought refuge on the rooftop to witness the spectacle. Among them was the notorious revolutionary leader, Pancho Villa.

In an audacious display of bravado, Villa rode his horse into the hotel and galloped up and down the magnificent staircase that graces the lobby. The clatter of hooves and the cheers of onlookers reverberated throughout the grand halls, creating an unforgettable moment in the hotel’s history.

Legend has it that the spirited Villa, with his characteristic wide-brimmed hat and commanding presence, left a lasting impression on the staff and guests who witnessed this daring act. It became a story that would be told and retold, forever etching Villa’s name into the annals of the Gadsden Hotel. Today’s Gadsden visitors still search for a legendary chip in the white marble.

You want to know what I think. I think Pancho got bored fighting with the Federalies in Agua Prieta and decided to take a break. He rode across the border to enjoy a frozen Margarita at the Gadsden bar—after all; it was May 5th. When the bartender tried to explain that the Margarita hadn’t been invented yet, Pancho went ballistic. He went outside and untied his horse— Siete Leguas—from the parking meter and road back inside in an attempt to trash the place. You know, rock stars. That’s what they do.

In the 1920s, famed radio evangelist Amy Semple McPherson captured the nation’s attention with her charismatic preaching and healing services. However, her life changed dramatically when she mysteriously disappeared from Los Angeles. Authorities launched a widespread search, and the public anxiously awaited any news of her whereabouts. Eventually, Amy reappeared in Douglas—of all places.

There were conflicting accounts and rumors surrounding Amy’s disappearance and reappearance. Some sources suggested that she was kidnapped and held for ransom, while others speculated that she had run off with a lover to a secluded location. According to her account, she claimed to have been abducted and held captive. My legal staff told me there is no historical evidence to put Amy inside the Gadsden, but after being released from the local hospital, where else would someone with all that wealth and fame stay—it certainly wasn’t the YWCA.

The Gadsden Hotel has welcomed several less controversial personalities throughout its history. Among them, aviator Amelia Earhart graced the hotel with her presence during her visits to Douglas in the 1930s. The iconic actor John Wayne frequented the Gadsden Hotel in Arizona. Presidents Franklin D. Roosevelt and Lyndon B. Johnson also left their mark on the hotel during their travels in the Southwest. These visits, spanning different eras, have contributed to the Gadsden’s rich history and enduring allure.

A Glimpse of Grandeur: The Gadsden Hotel's Captivating Facade - Behold the captivating exterior of the Gadsden Hotel, a timeless landmark that exudes elegance and preserves the rich history of Douglas, Arizona.
A Glimpse of Grandeur: The Gadsden Hotel’s Captivating Facade – Behold the captivating exterior of the Gadsden Hotel. This timeless landmark exudes elegance and preserves the rich history of Douglas, Arizona.

We hope you’ve enjoyed hearing the fascinating Arizona stories as we end our journey through May’s Orphan Photo Project. As usual, you can see the larger version of Marble Memories by following this link to the web page: (https://www.jimwitkowski.com/newWork/gadsdenStairs.html). As we bid farewell to the Gadsden Hotel, we invite you to join us next week when we embark on a new adventure. Until then, thank you for joining us on this journey, and Queen Anne and I can’t wait to share more with you soon.

Until next time
jw

Technique

Capturing the essence of Gadsden’s famous staircase presented a unique challenge. Instead of the typical head-on view, I wanted to emphasize the polished marble steps and the potential hazard they posed to Pancho Villa’s horse, Siete Leguas. To achieve this, I opted for a wide-angle lens and positioned myself low at the left side of the marble waterfall, shooting upwards towards the bank of stained glass windows. The dim lighting inside the Gadsden lobby required a higher ISO of 2500, and I stopped down the lens to f/6.3 to ensure everything was in focus. I captured a handheld shot at 1/15th of a second in the low light conditions. Remember to hold your breath to minimize camera shake in challenging situations like this.

Gleaming Stainless Silos: Shining Icons of Agriculture Picture of the Week - Aguila, Arizona

Gleaming stainless steel silos in a cotton field, reflecting the morning light
Gleaming Stainless Silos – Bathed in the soft morning light, the stainless steel silos stand tall amidst the green expanse of a newly planted cotton field. A testament to modern farming and agricultural storage, these gleaming giants symbolize the promise of a bountiful harvest.

Welcome back to the third image in our May orphan photos project. We hope you’ve been enjoying the journey so far. Last week, we took a nostalgic look at some old farm equipment, but we’re shifting gears to bring you something new, and I didn’t have to travel far to find this week’s subject.

During our travels, Queen Anne and I often find ourselves driving through the charming town of Aguila—though calling it a town may be a bit generous. It’s more like where the tumbleweeds stop to stretch their legs, and the cacti gather for a gossip session. It has been the subject of my playful jesting in the past, but today I’ll take a lighter tone. Aguila is situated along route US 60, west of Wickenburg, and as I’ve mentioned before, it serves as the quickest route for Queen Anne and me to reach Interstate 10. On one of our recent journeys through Aguila, a remarkable sight caught my attention—a magnificent set of silos erected on a cotton farm. Their towering presence against the horizon immediately captured my imagination. As a photographer, I’m always searching for unique and captivating subjects. These silos presented the perfect opportunity to catch something unique.

Regarding my photography, I enjoy sharing my work with a broad audience, and one platform that has been instrumental in reaching a larger community is Unsplash. For those who may not be familiar, Unsplash is a platform where photographers can showcase and share their high-resolution images, allowing anyone to download and utilize them freely. I take great pleasure in contributing to this platform, and I currently have around 100 of my photos available there. (You can check out my Unsplash portfolio here :[https://unsplash.com/@jcw].

Among the images, I have posted on Unsplash, two particular silo photos have garnered significant attention. These silo images, which I previously captured and uploaded, have become some of the most popular in my collection. The two silo photos alone have amassed over 1.5 million views and have been downloaded more than 1,100 times. This positive reception motivated me to seek out new and captivating silos to add to my Unsplash portfolio, and that’s where this photo comes into play. Who would have thought that a collection of silos could attract so much attention? Move over cute puppies and stunning landscapes; it’s time for the silos to shine. Maybe they have some secret magnetism, or perhaps it’s just the allure of all that grain storage. Either way, these silos have become the unlikely celebrities of the photography world.

When I laid eyes on these gleaming stainless silos in Aguila, I knew they possessed the potential to enhance my Unsplash portfolio and further boost my numbers. I took this photo with a mixture of artistic vision and a touch of self-interest, fully aware that the unique beauty of these silos would resonate with viewers. It’s fascinating how an ordinary subject like silos can captivate and draw the attention of so many people.

Ultimately, my decision to capture this image was driven by a desire to continue sharing my work with a larger audience and expand my presence on platforms like Unsplash. The allure of these silos and the previous success I’ve experienced with similar images solidified my belief that this photograph would be a valuable addition to my Unsplash portfolio.

When you gaze upon this photo, it’s like sipping a Pousse-Cafe, with each tier offering its delightful flavor (If you have no idea of what I’m referring to, here is a recipe: https://www.epicurious.com/recipes/food/views/the-pousse-cafe-no-1-51167400). At the bottom, we have the earthy essence of the brown dirt road, followed by a refreshing burst of green from the newly planted cotton fields. And finally, the pièce de résistance, the shining stainless steel silos, add a touch of sophistication to this visual libation. And just like a perfectly crafted drink, we have a cherry on top—the waning moon gracing the composition like a delightful garnish. It’s a photographic concoction that will tickle your taste buds and leave you wanting more.

To enhance the curves in the seed containers, I find the light from the sun at a low angle the best. The tanks would look like cardboard cutouts if you shot this scene at noon. Either end of the day works fine, but since I got up early, I got a lovely moon in the bargain. I had to move left to get that moon into the shot, introducing a perspective. In this case, it works better than a static head-on point of view.

I hope you enjoyed this week’s photo and story. These gleaming stainless silos in Aguila serve as a testament to the agricultural essence of this small town. They stand tall, surpassing any yard art or decorative statues, and remind us of the remarkable structures that farmers create as they cultivate the land. The silos embody the local community’s hard work and dedication, showcasing agriculture’s beauty and importance in shaping our surroundings.

To fully appreciate the visual impact of the Gleaming Stainless Silos, I invite you to visit the official webpage, where you can view the photo in all its glory. Follow this link [https://www.jimwitkowski.com/newWork/gleamingSilos.html] to immerse yourself in the fascinating details and explore the nuances captured in this image.

Thank you for joining us this week as we delve into the world of agricultural beauty and the stories behind orphan photos. We appreciate your support and the moments you’ve shared with us. Be sure to mark your calendars for next week’s finale as we unveil a special place in Arizona’s history. It’s an extraordinary journey you won’t want to miss. Thank you for giving us a moment of your time.

Until next time
jw

BTW:

The snake count is two a peace. Ours was a 10′ bullsnake on a mission. He was headed west, and nothing would get in his way. No matter how much I tried, he would not turn around. When I annoyed him enough, he slid under the house. But, the neighbors spotted him later in the evening leaving the park like Horrice Greely personally spoke to him.

Fred and Deb’s story has more drama. Their snake was a baby rattler hiding next to their front hose. When spotted, Fred got a shovel and pitched it into the middle of the street, but the snake had bitten their youngest dachshund. Odie got pretty sick for a while, but he’s feeling better and resting at home. You should run out and buy him a get-well card.

Arlington’s Abandoned Feed Mill: Fading Memories of Cattle Country Picture of the Week - Arlington, Arizona

Abandoned farm equipment at Arlington Cattle Company
Arlington’s Abandoned Feed Mill – The abandoned grain hoppers and silos of the Arlington Cattle Company were left to rust in the Arizona desert.

Last week, I wrote about the exceptional rainfall we had in Arizona and how the wildflowers love it. Well, the same wet winter that showered our land with nature’s colorful confetti also brought heavy mountain snowfall. Since the predicted snowmelt and runoff would overflow our reservoirs, the Salt River Project began releasing water into the river. It’s been quite a while since we have had water in our ordinarily dry riverbeds. While some may scoff at the idea of water in Arizona’s riverbeds, I was thrilled that I might get the chance to shoot some whitewater rapids in the desert.

I convinced Queen Anne to go-for-a-ride(?) a couple of weeks ago. We drove down the west valley to the Gillespie Bridge, excited at the prospect of capturing the raging torrents of water. However, upon arrival, we were met with disappointment. The river was spent and lethargic when the artificial flood passed through Phoenix. The snowmelt’s aftermath left us with sluggish, murky water oozing through the tamarisk. It looked more like effluent than a river. Feeling disheartened, we started to return home when I noticed the stunning light falling on the machinery at the Arlington Cattle Company. When I stopped the car and grabbed my camera, Anne responded, “Hurry up! I’m Starving.”

The Gila River begins its journey in New Mexico’s Gila Mountains. It collects water from its tributaries, including the Salt River, the Verde River, the Santa Cruz River, the New River, the Agua Fria River, and the Hassayampa River. The Gila River embarks on an audacious westward journey, carving its path through untamed landscapes. Just after the confluence of the Gila and Hassayampa rivers, the Gila turns south for thirty miles towards Gila Bend. As the river flows past the Buckeye Hills, it enters a natural pinch point several miles down old US 80. It passes between a formidable silhouette of a volcanic sentinel and the edge of Gillespie Shield Volcano. The black rock lava flow rises two or three stories above the road and river and is known for its impressive pictographs, visible along the cliff of lava rock when examined closely. At this pinch point, pioneers attempted to build three versions of the dam. After they all failed, the highway department erected an all-season bridge to cross the river. Local farmers plant the dam’s old flood plains in summer with deep green cotton, making the little valley a desert oasis.

I’ve been to the Arlington Cattle Company before, so this wasn’t my first time photographing this abandoned equipment. The last time I photographed there was over a decade ago; the massive boom that sent grain over the road to the feed lots there had collapsed into the canal flowing along the roadside. Someone has cleaned that mess up since then. As I stood and framed the shot, I could hear the ghostly sounds of machinery banging, gears meshing, and belts squealing in protest. The equipment stands as a testament to the relentless march of time, bearing the scars of decades past, with the weathered vestiges of industry adorned in hues of faded silver and rust contrasting against the intense blue sky. However, what catches my eye in this photo is the tall silver elevator, which towers above all else, and with the sun’s reflection, it appears as a beacon against the bright blue sky. The wispy white clouds in the background are a bonus and provide a nice contrast to the earthy tones of the equipment.

The Arlington Cattle Company was established in the early 1900s by a group of investors led by William W. Clemens, who also served as the company’s president. The company purchased approximately 55,000 acres of land in the Arlington Valley and constructed a state-of-the-art cattle feeding facility. The company aimed to fatten cattle for the market using a combination of locally grown grains and hay from nearby farms.

The facility stood as a cathedral of innovation, a testament to the audacity of human endeavor, featuring a grain elevator that could lift and store thousands of bushels of grain at a time. The elevator was powered by an extensive motor and conveyor system that could move the grain from the elevator to the various silos and feedlots throughout the property. The company also built a vast network of canals and irrigation ditches to ensure a reliable water supply for the crops (and cattle).

Despite the initial success of the operation, the Arlington Cattle Company struggled to turn a profit. The company faced several challenges, including drought, floods, and fluctuations in the price of beef. In addition, the company’s location in a remote part of the state made transportation difficult and expensive. As a result, the company was forced to declare bankruptcy in the early 1920s. After the default, the land and equipment were sold to various buyers. Today, the rusting equipment seen along the roadside in the Arlington Valley are the only remnants of the Arlington Cattle Company.

Rustic Gillespie Bridge spanning the Gila River with a mountain in the background
Old US 80 Bridge at Gila River – The historic Gillespie Bridge at Gila River, part of Old US 80, features a rusted iron truss structure and spans over the water with a volcanic rock mountain in the background.

I hope you enjoyed this week’s photo and reading about the Arlington Cattle Company and the old farm equipment that still represents Arizona’s ranching history. Don’t forget to check out the larger version of Arlington’s Abandoned Feed Mill Cattle on our website by clicking here. Join us next week for more fascinating stories and photos of farming equipment, from the old to the new. And who knows, maybe we’ll even find something borrowed and blue. Thanks for reading!

Till next time
jw