Twinkies, Ghost Towns, and Mean Grandmas: A Nevada Road Story Goldfield, Nevada - Pictures of the Month

Sheriff graffiti on a car at Goldfield’s International Car Forest, surrounded by unique planted vehicles in the Nevada desert.
“Sheriff on duty in the International Car Forest of the Last Church — Goldfield’s roadside art grove where cars are planted upright like desert Joshua trees.”

Twinkies at Dawn

When you travel for photography, you don’t live by time — you live by light, which is how Anne and I wound up at the Qwiki Mart in Beatty before sunrise, arming ourselves with coffee, Twinkies, and HoHos for the long road north.

Back in the car, Anne immediately staked her claim on both cupholders. Her giant metal water mug went in the forward slot, which also happens to block the shifter. When I tried to put the car in drive, the lever jammed against stainless steel. Without a word, she swapped things around, wedging her Diet Coke and its koozie in it. I glanced at my steaming coffee. Anne just snorted, “It’s my car.” Which is how I wound up driving north with a hot cup balanced between my bare knees.

Only then, as dawn began to creep into the sky, did we pass the neon glow of an open Denny’s — real eggs and pancakes mocking us as we rattled by on our breakfast of champions—road-trip cuisine in its lowest register: no bass, no treble, just sugar noise.

Riding the Frozen Waves

North of Beatty, US-93 begins its slow transformation into Interstate 11. Some stretches are still two-lane blacktop, others widen into a broad, empty four-lane highway. The land doesn’t soar like the Rockies. Instead, the road undulates through a rhythm of long troughs and low crests.

Driving it feels less like climbing mountains and more like riding a surfboard across a frozen sea — the waves don’t move, but you do, sliding over sage-filled valleys and ridges that rise like still swells.

Each crest has its own name — the San Antonio Mountains, the Weepah Hills, and a string of other north–south ranges that march up Nevada like ribs on a washboard. The basins between are carpeted with sagebrush, rabbitbrush, and bunch grass, muted greens and tans broken only by the occasional black ribbon of lava flow. Even in the still morning, the silence has weight.

Somewhere over the Weepah Hills, I heard a low rumble. Not thunder — Anne’s stomach, reminding me that Twinkies and HoHos don’t qualify as breakfast. I promised her “real food in Goldfield,” but the look she gave me said I was running out of goodwill.

Geologists explain this landscape as the dented fender of North America — stretched and buckled when the Pacific Plate shoved against the continent. Faults cracked open, magma rose, and ancient water moved through the fractures. As it cooled, it dropped its load of dissolved minerals in stripes and pockets along the ranges. That hidden plumbing left behind a string of boomtowns almost in a line:

    • Virginia City (1859): The Comstock Lode, one of the richest silver strikes in history, swelled to 25,000 people.
    • Tonopah (1900): Silver again, Nevada’s leading district at the time, with 10,000 residents.
    • Goldfield (1902): High-grade gold, enough to briefly make it Nevada’s largest city, population 20,000.
    • Rhyolite (1904): A flash-in-the-pan gold camp, 5,000 souls at its peak, abandoned within a decade.

Like waves on that frozen sea, the booms got smaller with each crest. The land gave up its biggest fortunes first; later strikes were shorter rides.
You can see it in how the towns aged:

    • Virginia City survives not just as a tourist stop, but as the tourist stop that Jerome, Bisbee, and even Oatman would hope to be when they grew up—boardwalks, saloons, museums, and a main street that feels alive.
    • Tonopah remains a regional hub, boasting hot water both underground and in the hotel showers.
    • Goldfield is like an old man with missing teeth — fine buildings still standing, but plenty of gaps in the smile. Like a half-finished chord, you strain to imagine what the complete harmony must have sounded like.
    • Rhyolite is the geezer with a single tooth, the Cook Bank ruin grinning lonesome in the desert sun.

It looks barren now — just sage, stone, and the echo of Anne’s stomach growling — but the bones of this desert still hum with the story of fortunes found and lost.

The Goldfield Hotel, a grand historic building in Nevada, said to be haunted and awaiting full restoration.
“The Goldfield Hotel: once the grandest in Nevada, now mostly a ghost with brick walls. Restoration dreams come and go, but the resident spirits never left.”

The Mizpah Mirage

Across another basin, and over the far side of the San Antonio Range, we rolled into Tonopah — Anne already scanning for a swanky place to eat, finally. We didn’t need gas; we’d topped off back in Beatty along with our Twinkies and HoHos. But Reno was still a long way up the road, and we both knew gas only got pricier the farther north you went. So as we cruised through town, we couldn’t help noticing every marquee: to the penny, the same price at every station. The only outlier was Chevron, which was precisely a dime higher. It felt less like competition and more like a cartel.
Since Anne had been so patient — running on HoHos, a Diet Coke, and stomach growls — I promised her something swanky. “We’ll find a place with Eggs Benedict,” I said. “Maybe some savory crêpes, or even a croque monsieur if we’re lucky.”

That’s when we spotted the Mizpah Hotel, its grand façade rising like a mirage. A sign promised breakfast in the Jack Dempsey Room. Perfect. The Mizpah had history, glamour, and a name you could drop at dinner parties. This was the spot. “Come on,” I told Anne. “My treat,” like there was ever another choice.

We walked in expecting linen napkins, chandeliers, and maybe a ghost in the corner for atmosphere. What we got was Comfort Inn dressed in vintage wallpaper. The buffet line offered the usual suspects: dry potato cubes masquerading as hash browns, biscuits drowning in red-eye gravy, and pre-formed egg rounds that looked like they’d been cut with a hole saw. Worst of all, not even a waffle maker.

Anne stared at her plate, then at me. Her silence was louder than words, and the message was clear: you promised Eggs Benedict, and I got yellow hockey pucks.

The room itself was lovely, more like a museum piece than a hotel dining room. Period wallpaper, patterned carpet, chandeliers overhead, and portraits on the walls in oval frames — the kind my parents had one of me in as an infant (I think my sister still has it). Sunlight filtered through lace curtains, softening the edges of disappointment on our plates.

After eating, we took turns freshening up for the long road ahead. Anne disappeared down the hallway and was gone long enough that I thought the ghost had abducted her. When she came back, she explained that the corridor walls were lined with photos of visiting celebrities — and of course, she had to stop and name every one of them.

By the time we walked back out to the car, there was still grumbling, but this time it wasn’t Anne’s stomach.

Mad Max-style jalopies decorated as art installations in downtown Goldfield, Nevada
“Downtown Goldfield’s version of Mad Max chic: jalopies encrusted with toys, trinkets, and whatever was left in the junk drawer.”

Mean Grandma

We didn’t really need gas. The Corolla still had plenty left from Beatty, but Reno was a long way away, and up here, you never knew what the next price jump would be. So I pulled into the last station at the edge of Tonopah, figuring I’d top off just in case.

The tank filled, but when I pressed the button for a receipt, the screen flashed back: See cashier inside. Around the side, a Coke truck was making its delivery. The driver had propped the door open, and since I didn’t feel like walking all the way around the front, I slipped in with the sodas.

Behind the counter was a woman so thin, with lines etched so deeply into her face and hands, that she looked as though she could have been around during Tonopah’s original boom. Maybe she was working because help is scarce these days, or perhaps she just wanted a little extra money for the slot machines. Either way, she stood behind the register with the quiet dignity of someone who had seen a lot more desert mornings than I had.

She printed my receipt and handed it over without a word. Business done, I turned toward the open delivery door.

“Not that way,” she barked suddenly. “Deliveries only.”

I froze, receipt in hand. “What are you going to do?” I stammered, “Call the cops and have me arrested for using the wrong door?”

Her eyes narrowed. Without rushing, she reached under the counter and began pulling out the longest silver revolver I’d ever seen outside of a Clint Eastwood movie. “Go ahead, punk,” she said, voice steady as bedrock. “Make my day.”

My jaw dropped. Whatever clever comeback I thought I had withered into a croak. I stuttered something unintelligible, stuffed the receipt in my pocket, and spun on my heels.

Out the front door I went, tail tucked between my legs, half-expecting the barrel to follow me through the glass. I bolted into the Corolla like a kid sneaking past curfew, and Anne barely had time to ask what took so long before I mashed the pedal.

We launched over the curb with a squeal of tires and a set of skid marks that Marisa Tomei herself would’ve had to explain in court. I didn’t breathe again until the Tonopah city limits were in the rearview.

Facade of Goldfield, Nevada’s historic telephone company with aqua windows and door in bright dappled sunlight
Goldfield’s old Telephone Office — no longer in service, but the aqua trim still looks freshly painted. One ringy-dingy, two ringy-dingys…

Finally, a Real Nevada Payoff

Out on Nevada’s backroads, nothing goes quite the way you plan. Golden hour fades too fast, boomtowns turn to ruins, and “fine dining” can mean egg rounds and potato cubes. But in between, you get shadows that linger just long enough for a photograph, the stubborn charm of towns with missing teeth, and stories you couldn’t invent if you tried. That’s the real payoff—the light, the laughter, and the long road north.

Till next time, keep your humor dry and brush those pearly whites.
jw

Whispers from the Atomic Inn at the Edge of Death Valley This Month’s Pictures - Rhyolite Ghosts

Ruins of the historic Cook Bank building in Rhyolite, Nevada illuminated by the last rays of sunlight
Cook Bank Building — The most photographed ruin in Rhyolite, and for good reason. Built in 1908 with three stories of stone, marble floors, and electric lights, it was the pride of town… for about as long as the gold boom lasted. Now only the shell stands, glowing in the evening sun as the mountains steal the light away.

Monsoon Madness

There’s a sound this time of year that rattles me: the air conditioner, running without pause, day and night. During monsoon season, it gulps filters like snacks, demanding more every week, and still it drones like a jet engine parked on the roof. I swear it growls if I reach to adjust the thermostat. When I was considering putting it down for a nap, Anne filled the office doorway, arms akimbo, with her annual August decree:

“We’re going to do articles about California redwoods and coastal beaches. I booked us a week in Crescent City. Pack your bags.”

Her idea of bags was two matching roll-around suitcases already staged in the hall. One held clothes. The other? Let’s say Ulta would call it a warehouse. My idea of luggage was a brown grocery sack — stuffed with a change of socks, a toothbrush, three cameras, a knot of chargers, and enough cables to wire a small radio station.

“We’re leaving Sunday morning,” Anne said. “Reservations start Monday night in Crescent City.”

I did the math out loud cause — that’s my department. “Freeways, we can be there in two days.”

She nodded. “Fine.”

“But if we take 93 north, stretch it to three days, we could scoop up a couple of ghost towns on the way. Maybe even Reno for dinner.”

Anne shrugged. Driving and mileage are my problem. If I wanted to turn it into a backroads scavenger hunt, she wasn’t going to stop me.

Moby, the big Lexus, sat in the garage — roomy, comfortable, built for the open road. Instead, we crammed ourselves into the Corolla econo-box. Why? It saved us seventeen bucks on gas. Never mind that the inside looked like a rolling storage unit — cameras, Anne’s suitcases, a couple of coolers, bags of snacks, and enough odds and ends to qualify as a rolling kitchen. At least we wouldn’t waste time at McDonald’s.

Northbound on 93

We pointed the gutless wonder north on US-93 just as the sun cleared Four Peaks to the east. The stretch between Phoenix and Kingman, we could drive blindfolded. Thirty years ago, it was a two-lane daredevil run, white-knuckled and death-defying. Now it’s primarily four lanes, crowded with people eager to lose money in Vegas, blasting past at criminal speeds until the pavement pinches back to two and everyone stacks up like cattle in a chute.

But for us, the trip doesn’t really begin until the far side of Vegas. Out there, the road empties — mile after mile of desert sage, sky bigger than the map, hardly a soul in sight. On the west side of 93, the signs all promise wildlife refuge this and preserve that — acres fenced off for sheep and tortoises. The east side looks the same, but the clues are different: concrete chicanes at the exits, security gates, motion detectors strung along the fences, and town names that sound more like warnings — Indian Springs, Mercury, Sedan Crater. It’s almost like they’re keeping something hidden in this area.

Both horizons appear identical, but one claims it’s saving lives while the other practices ending them. Maybe the wildlife is just an act of contrition.

Check-In at the Atomic Inn

By the time we rolled into Beatty, the sun was already angling low, and the semis were tangoing through the four-way. We pulled in slow, scanning for our motel — and there it was, glowing like a Cold War punchline: The Atomic Inn. Yes, that’s where Anne made the reservations.

We checked in, tossed our bags inside, and immediately split up. I grabbed my cameras and headed for Rhyolite, hoping to get a few shots before the sun slipped behind the hills. Anne, naturally, went in search of antique jewelry at the local curio shops.

I spent a couple of hours wandering Rhyolite, watching the light slip across broken stone and bottle-glass walls. On the drive back, the landscape was to die for, colors shifting every mile along the empty road into Beatty.

When I opened the motel room door, Anne was gone. On the nightstand, a note: Bar across from the casino.

Weathered caboose car parked outside the historic Rhyolite hotel in Nevada
Union Pacific Caboose — This weathered red caboose once capped the end of freight trains rolling through the Nevada desert. Now it sits parked near Rhyolite’s depot, its paint sunburned and boards sagging, more ghost than railcar. In its day, the caboose was the rolling office and bunkhouse for train crews — today it’s just another relic in a town that outlived its purpose.

The Bar Across from the Casino

So I walked back to Main Street in the dusk. The neon buzzed, the semis groaned through the four-way, and the air smelled faintly of dust and fryer grease. I pushed through the door and stepped inside a bar dimmer than the twilight I’d just left.

At first, I couldn’t see much — just shapes. As my eyes adjusted, the room came into focus: gray, paneled walls slapped together from old shacks, gaps wide enough for the smoke from the back barbecue to seep through. The paneling glowed under animated beer signs. Love Shack playing on the juke box through the speaker wires drooping across them like vines. The ceiling sagged under dollar bills tacked corner to corner.

There were only a couple of tables inside, and four barstools at the counter. Three were already occupied — Anne, a whiskered man, and… a burro. The fourth stool sat open, waiting for me. Other than a man in the corner eyeing the room like he’d been followed, the place was empty.

I slid onto the stool beside Anne and waited while the bartender finished shouting drink orders to the patrons on the porch. Her voice carried just as strongly out there as it did inside. Then she turned to me, smiling.

“What can I get for you?” she asked, her Filipino accent lilting every word.

“What beers do you have?”

She rattled them off in one long practiced breath: “Coors Light, Bud Light, Miller Lite, Michelob Light, Busch Light, Natural Light, Keystone Light, Amstel Light… and Shiner… ”

“I’ll have a Shiner,” I said. “Shiner Bock.”

From outside came a burst of German voices, clinking bottles of Bud Light like it was Champagne.

Meet Harlan and Deborah

Anne set her glass down as I settled in. “Jim, I want you to meet Harlan…” She hesitated a beat, then added, “…and his friend, Deborah.”

“Nice to meet you,” I said. Harlan gave me a slow handshake, heavy as a sandbag. Deborah just snorted through her nose, a sound halfway between a laugh and a sneeze.

Anne lifted her glass and caught the bartender’s eye. “Another chardonnay — and this time, could I get a proper wine glass, please?”

The bartender froze mid-pour, leveled a glare across the counter, and kept right on filling the same stubby stemless glass.

“Boy, I’m hungry,” I said to no one in particular. “Are the burgers any good here, Harlan?”

“They usually are,” he drawled. “But the supply trucks haven’t shown up in a week… and the bar’s still flippin’ burgers. Wouldn’t you know it, Deborah’s sister went missing the other day.” He set his glass down and leaned closer. “So if I were you, I’d steer clear of the burgers.”

Deborah gave a little snort through her nose as if she agreed. Nobody else smiled.

I scanned the ink-jet printed menu and looked at the bartender. “What’s your soup of the day?”

“Homemade clam chowder,” she answered proudly.

“Ooo, my favorite. I’ll have a bowl of that.”

She scribbled on a ticket, clipped it to the wheel, gave it a spin, and shouted, “Order up!” A slight blur reached up and snatched the slip away as the wheel kept turning. From behind the thin paneling came the thud of a pot hitting the stove… followed by the unmistakable whir of an electric can opener.

Large trucks perform a careful dance around a sharp corner in Beatty, Nevada, by the closed Exchange Casino.
Exchange Club Corner — Once the centerpiece of downtown Beatty, the Exchange Club Casino now sits dark, its steampunk façade outshining the slot machines that went silent after the Covid pandemic. Truckers still provide the nightly entertainment here, swinging their rigs wide around the tight four-way stop, gears grinding while chrome octopuses glare down from the walls.

Beatty’s Second Fiddle Years

Anne leaned toward me. “Harlan’s lived in Beatty his whole life. He knows all the stories.”

“Great,” I said. “I’d love to hear them. What’s with the closed casino across the street?”

Harlan swirled his glass slow. “That was the Exchange Club. Town’s centerpiece, once. COVID killed it. Shame.”

I grinned. “I would have loved to toss 20 bucks away just to poke around inside.”

He shrugged. His voice came out in a gravelly drawl, slow as desert dusk. “We’d have gladly taken your money. Beatty’s always played second fiddle. Rhyolite had the gold; we just hauled the freight. Later, when the bomb boys came through, the scientists stopped here for drinks while the brass stayed in Mercury. Then Vegas lit up, and we just watched the traffic roll by.” He nodded toward the four-way. “These trucks out here? That’s the floor show now.”

I flagged the bartender. “Let me buy you a round. What are you drinking?”
“Cosmo on the rocks,” Harlan said. “And Deborah here’s got a Vodka Cranberry.”

The bartender set down two glasses that looked identical, except Deborah’s came with two long straws. I must’ve stared, because Harlan leaned in and explained, “Well, she can’t just pick it up with her hooves, now can she?” (Thanks, Joel.)

Deborah crossed her legs then, and I noticed her hooves were neatly manicured — polished, even. It made me wonder who in town offered that service, and how much they charged.

Nobody made a joke. Not in front of Deborah. Harlan might’ve called her his “friend,” but from the way the bartender shot her a quick glance, I figured she was more than that. Around here, Deborah was a big shot.

White ghostly sculpture with bicycle, The Ghost Rider by Albert Szukalski, at Goldwell Open Air Museum near Rhyolite train station
Ghost Rider — The tale Harlan swore was true finds its echo here: a spectral figure in white with a bicycle, part of the Goldwell Open Air Museum outside Rhyolite. The piece, by Belgian artist Albert Szukalski, was installed in 1984 and has become one of the site’s most photographed works — half sculpture, half apparition, and just eerie enough to make you wonder. Bath night not included.

The Ghost Rider of Rhyolite

Anne asked, “So how were Rhyolite and Beatty connected?”

Harlan swirled his Cosmo. “Rhyolite was the boomtown; Beatty was just the depot. Always been that way — second fiddle. First to Rhyolite, then to the bomb tests, then to Vegas, then as a truck stop along 93, then with the Exchange Club across the street. And when I-11 cuts east of town, downtown’s finished unless they sell themselves as the gateway to Death Valley.”

Harlan set his glass down and leaned closer. His voice dropped so low I had to lean in, too.

“My mama… or was it my grandma… worked the hotel over in Rhyolite. Every night, she rode her Schwinn the four miles down to Beatty after her shift. Then one night… she didn’t make it.”

He let that hang in the air.

Anne asked softly, “What happened?”

Harlan rubbed a hand over his whiskers, eyes fixed on the glass in front of him. “Folks said she was run down by an illegal alien.”

I blinked. “Mexican?”

He shook his head slowly. “Na. One of them little gray fellas. Came slidin’ down the canyon road in a flyin’ golf cart. Had it wound up faster than hell. She never saw it comin’. Passed so close she got sucked into the whirlpool trailin’ behind.” He paused, voice dropping lower. “Dragged her thirty yards down the gravel. Left half her Schwinn in the sagebrush.”

The bar had gone quiet, except for the hum of the jukebox wires overhead. Even Deborah had stopped snorting, her ears pitched forward.

“She was real pretty,” Harlan said, almost tender. “Sunday dress, ribbon in her hair. But you wouldn’t recognize her now. Folks say she rides that stretch every night — draped in white, like a shroud… or maybe a cape. Some swear it’s a wedding dress that trails out behind her, floatin’ in the wind. You’ll hear the pedals creak before you see her.”

He drained the last of his Cosmo, set the glass down gently, “’ Cept Wednesdays. That’s her bath night.”

Deborah slid off her stool, her hooves clicking against the wooden floor, and gave a little snort of goodbye.

“Big day tomorrow,” Harlan said, standing slowly. “Got business to settle in Pahrump.”

They shuffled toward the door, out into the desert night.

Anne and I stared at one another, mouths agape, while Love Shack started up again on the jukebox.

Till next time, keep your spirits high, and your humor dry — the spirits prefer it that way.
jw