In my last post, I talked about getting some framed prints ready for a Jury Review. I had three frames that I repainted and printed the images to fit them. Although they came out nice and I got a positive comments about them, I’m not really satisfied with store-bought frames. They chip and dent rather easily and the wood they used is hard to re-finish. Besides, the ready-made frames don’t come in the format that I want to use for some of my 16:9 landscapes.
Since I have woodworking tools, I’ve decided to try making my own frames. I’m relatively new to woodworking, but after a few YouTube videos, I convinced myself to give it a shot. The worst that can happen is that I waste time and a couple sticks of lumber.
I think photograph frames should be simple and not upstage the art. I like the thin metal kit frames, but on a large image they‘re out of scale. I also want the image to stand away from the wall, and not be on the same plane. I want a black color, but with some grain, so I want them stained and not painted.
Out of the three pieces of poplar that I had, I was able to cut six lengths for my frames. That should be enough to assemble three frames.
I had several pieces of poplar left over from other projects so I pulled them out and began milling them to size. To keep the frame simple, I used the ¾” edge for the front face and cut uniform strips 1 ¾” wide. The next step was to route a ¼ rabbit for the glass, mat and backing to sit in. Finally I rounded off the front faces with a ¼” radius. With the pieces all cut, I put a black stain on them today.
I want the framed image to stand away from the wall, so I cut the pieces deep with a generous rabbit.
I’m going to give the stain plenty of time to dry, so I set them aside until Friday. Then, I’m going to cut the angles to length and glue them together. Since I already have the glass for them, I’m a little nervous that I cut them to the right size. To make sure they are, I’ll cut them a little large at first and sneak up on the final length until they’re perfect. I’ll start by cutting one and when I’m convinced I’ve got the measurements right, I’ll continue with the other two.
This is the poplar with two coats of black stain applied. After I cut and assemble the pieces, I’ll put a coat of sanding sealer and a couple coats of clear finish.
When you move into a new place, it’s important to get a lay of the land. You need to know pretty quickly where the grocers, hardware, doctor and barber shop are. Finding ones that you care to patronize is some times easy; others take a bit of time. For example, if you have several choices, you may have to visit all the barbers before you find one that doesn’t talk too much.
The same thing holds true with my photography. With Phoenix an hour away, I needed to learn what the locals did for supplies and how they got their work out to the public. One of our neighbors, Jane, suggested that I attend the local photography club meetings as a way to shorten my learning curve, so I did. These days, the internet is your best source for art supplies regardless of where you live. But, in Wickenburg, there is a protocol for getting work out to the public.
In Wickenburg, calls for artists are put-out through the Wickenburg Art Club (WAC), of which the photography group is a part. There are two requirements that the club has. The first is you are a club member (of course) and the second is that you be a juried artist. After moving here last year, I missed several chances to hang my work, so I decided to send examples of my work for jurring.
To submit for this process, I had to sign up at the beginning of the month to get in on the review last Saturday. I had to pick out three examples of my current work (within the last four years), and drop them off at the meeting room, framed and ready to hang. I have plenty of framed prints, but only one that was less than four years old, so I needed to pick out two newer images to print and put into frames.
I didn’t want to limit my entry to one project, so I picked out a print of Corn Power; the keystone image of my West Side project. That made life easier because I had one in the frame already .
This is the keystone image from my West Side project. It was shown in a Scottsdale gallery last year, so I already had a framed print.
As an example of the kind of work I’ve been doing since moving, I chose the image Posted, which has created good Web traffic.
A gate decorated with a cow skull and Posted sign, blocks a tree-lined drive.
For my last image, I selected Kluane Lake and Ruby Range, a photo that was September’s Picture of the Month. This is one of the images that I got on the Alaska trip. I was kind of partial to it, and I wanted to see it in print anyway.
This was my September Picture of the Month and was taken this summer in the Yukon Territories. Because of the mats that I had in stock, I had to crop this version in a 4:5 ratio and not the 16:9 version that I prefer. Check out both versions and tell me which you like better.
After making my selections, I had to come up with some 16×20 prints. I had two obstacles to overcome. I was out of that size paper, and my large format printer hadn’t been turned on for a year. I was sure the ink was dried solid by now. Ordering a box of paper wasn’t even simple. Harmon had dropped the warm-tone version that I’m set-up for and now only offers it in cool white. That means that I’d have to create a new printer profile so the colors would come out right.
B&H Photo had a good price, so I ordered a box of paper and just beat the Rosh Hashanah holiday closing (B&H doesn’t take orders after Friday’s sundown or on holidays). With paper on its way, the next task was to get the printer up a running. My Epson 3880 replaced an earlier one that quit working because of severe ink blockage; even after replacing all the cartridges. I was very afraid that I would have the same problem with this one. After turning it on though, it printed a test page, so I ran it through several cleaning cycles before attempting to make a paper profile. It took another dozen cleaning cycles before I got a decent looking print.
The next step was to pick out a couple of frames. The pair that looked the best had nicks and scratches, so I would have to repaint them. That sounds easy enough, but the Krylon wouldn’t come out of the can evenly, and I had to buff them with Scotch Brite pads to get a uniform finish.
After two weeks of working diligently, I had my three framed prints and anxiously dropped them off at the hall for jurying on Saturday. We weren’t allowed to hang around and watch, because it was done behind closed doors. Three jurors examined the works, one of which was an expert in your medium, but we had no idea who they were. If only one of the three said yes to any of your three pieces, you were golden. Our only instructions were to come back at 1:00 to pick up our submitted work along with a sealed envelope which contained the Yeah or Neigh results and maybe judges notes.
Shortly after 1:00, I showed up the door where I got my envelope that I nervously shoved into my pocket. After loading Fritz with my frames, I climbed behind the wheel and fished out the results and tore open the envelope. All three pieces were marked ‘Yes’ along with some very nice notes from the jurors. What a relief. Now I am a juried Wickenburg artist. Yeah!
