Palm Shadow Photo of the Week

“Now for something completely different,” if you didn’t already know, that’s a quote from Monty Python and it’s relevant to today’s post. I’m adding a feature to my blog that I think you’ll like. Since I switched from a monthly newsletter to this blog, I don’t have to post my new images on a monthly schedule. Consequently, I’ve been adding new ones each week and that’s the pace that I like, so I’m going to also write a companion blog post to announce those pictures. When I was doing that in the newsletter it was successful and I hope it works well here on the blog.

Palm Shadow
Palm Shadow-The the clapboard side of the Robson Honey Warehouse frames a palm tree’s shadow in Aguila Arizona.

With that in mind, let me tell you about this week’s photo. Over the weekend, I got up enough ambition to load my camera and go out shooting. I wanted to get a shot of the Saguaro Motel sign in Aguila—the little farming community west of Wickenburg on US Highway 60. The sign fits into my collection of old motel signs but after researching the story of Robson’s Mining World I wrote last month, I found out that the Robson family owned the motel and acquired their wealth by selling bee pollen as a miracle cure-all. That fact fits right in with the January photo series of the ghost town. The sign’s not all that spectacular but a shot of it and the accompanying cactus is. Unfortunately, they’re behind a locked chain link fence that ruins the shot, so I’ll have to go back and get permission to get inside the fence.

While I was there, I spotted this image next door. I named the shot Palm Shadow, and it is the shadow of a palm tree cast on the white clapboard side of the Robson Honey warehouse. The building’s green trim serves as a frame for the found wall-art and I included the afore-mentioned fence to give the image depth. It’s a scene that I probably would have missed had I not stopped for my original idea. You can see the larger version here. I hope you like it.

Till next time—jw

Gold Rush Days 2018 New photographs on display at fine arts show.

It’s February again and that means that Wickenburg will be celebrating Gold Rush Days this weekend (Feb 9-11). It’s the closest thing that we have to a street party. Wickenburg closes the streets around the city library to make room for carnival rides, food vendors, arts and crafts booths. The rodeo grounds—down by the river—will have a senior pro rodeo—old guys and gals take the spotlight.

There used to be a lot of local places to eat down around the fair, but most of them have closed. Anita’s Cocina—one of our better known Mexican places—is located at the fair’s center so they make a killing over the weekend. Another place that’s within walking distance is Nana’s Sandwich Shop on Tegner. They have a limited sandwich menu, but they bake a fabulous Lemon/Blueberry bread that you have to try. Be warned, it sells out quickly. Next, to the museum, one block over is the Local Press. Here you’ll find hand-made sandwiches with interesting flavor combinations. It’s another one of our favorites.

The event that is important for me is the Fine Arts Show held at the library. I have a couple of photographs that will be on display. One is Piedmont Crossing—the night photo of a crossing guard that was in the West Valley Art Show in Surprise. The second is a brand new print that I made last week called: Mine Mack. It’s of an old Mack truck at Robson’s Mining World. I’m really jazzed at how well the truck’s patina came out in the photo.

Mack Truck
Mack Truck – A classic truck that miners used to haul stuff.

To be included in the art show, I also have to volunteer to work it. I’m not sure what I’ll be doing this year, but last year I was Sunday’s guest host. In any case, I’ll be around Saturday or Sunday afternoon. The weather will be great on Saturday with rain possible on Sunday. If you’re in the mood for a day trip, come on up and join in on the fun.

Until next time — jw

On A Morning Walk Super Blue Blood Moon

Some would call me a brave man. Foolish; maybe, but I’m not brave. You see, Queen Anne asked me to wake her at 5:00 am so she could see the Super-Blue-Blood moon this morning. It was another 100-year event that she didn’t want to miss. It seems to me that these once-in-a-life things happen often.

Super-Blue-Blood Moon
Super-Blue-Blood Moon – Another once in a lifetime event that we enjoyed on our walk this morning.

At the stroke of five, I did my duty by cracking the bedroom door and tossing a shoe in. When I didn’t hear bear growling, I entered and announced, “It’s started,” then I returned to my computer. Almost immediately, she was at my office door with her jacket on. “A walk? You want to go for our walk now?” I asked.

“Sure. Didn’t you?”

I put on my shoes and grabbed my coat and flashlight and we set off for our morning lap around the park. Venus was high in the east and Scorpio was rising out of the glow of the Phoenix lights. By this time, the moon already had a good bite out of the top as it began to enter earth’s shadow. As we walked, we watched the illuminated section shrink. It takes us about forty-five minutes to complete the two-mile trip and in the dark, I would shine the light before us checking for vermin. It was interesting to see how much light pollution our little community added with many LED ropes placed under trailers being the biggest culprit. They’re supposed to keep rodents from chewing the trailer’s exposed wiring, but I think their effectiveness is suspect.

By the time we got home the moon was only a red glow in the black sky. Rightly named the blood moon, I can see how our ancestors would have feared its omen. Anne grabbed a couple of lap blankets and me, a cup of coffee from the house. We pulled chairs out to the edge of our rear deck and watched while listening to the hoot of a great horned owl coming from nearby trees. We wanted to watch the moon emerge from the shadow, but it lost a race with dawn and to soon disappeared into the trees along the horizon. After it disappeared, we went inside and made breakfast so we could see instant replays on the morning news. All in all, it wasn’t a shabby way to start the day.

Until next time — jw

Moving Your Photos From Android Phone to Your Computer Basic Photography Tips

The Wickenburg Art Club photo classes have started and have brought some surprises that we hadn’t anticipated. We had more attendees than we expected. Over twenty people have shown up each week and they’re asking questions and fully participating. The other thing that surprised me was how many people want to learn how to use the camera on their smartphone. Stan Strange—our resident iPhone expert—conducted the phone class and he was surprised that in his session Android devices outnumbered the Apple phones three to one.

Since Stan didn’t have a lot of experience with the Android Operating System, I decided to do a little research to help out and because I’m ignorant about smart-phones I had to learn the basics. For me, that means getting the images out of the phone and into a computer so you can do editing on an adult size screen. With my old-guy eyes, I can’t see anything on those tiny phone screens. Besides, although I don’t own a smartphone—or any cell phone for that matter—Queen Anne does and she’s collected enough stuff in the last year that she was out of storage space, so we killed a couple of birds using one stick.

Android USB Configuration Page
Android USB Configuration – Once you connect your phone and computer, you’ll need to root around in your configurations so the phone will allow files to be transferred.

Having a computer background, I foolishly thought that all that I needed to do was to connect the phone and computer with a USB cable, but when I did that, I got a message in the file window saying, “This folder is empty.” What I didn’t know is that the phone has to be set up to talk with the computer. Anne’s phone was configured so the USB port could only be used for charging. This is an easy fix. While the phone is connected to the computer via USB cable, touch and hold the area at the screen’s top—where the time and battery icons are—then drag down toward the screen’s center. There should be a box labeled “USB Configuration.”  If you tap on that banner, it will open an applet that exposes the settings to configure the port. For picture transfers, you want to select: “Transferring Media Files” Once you select that option the phone will expose the phone’s files to the computer. Now in Windows Explorer (if you’re using a Mac computer, you’ll need to get specific instructions elsewhere, but they’re generally the same) your phone’s data should show up (either as a phone or a storage device) as a new drive letter and when you open it you will see an item that says “Internal Storage” or something like that. Once you open that item by double-clicking it, there will be a display of the various folders inside.

Internal Storage
Internal Storage – When properly connected, the phone’s internal storage is visible using Windows Explorer.

By consensus, camera manufacturers store images in the DCIM folder, either at the root level or, as in Anne’s phone, a sub-folder named Camera. Once you’ve found your images you are ready to copy or move them to your computer. Unless you have created a specific folder for holding your transfers, you can copy or move your photos from the phone to the computer’s Pictures file you can see in the left frame. You can either drag each image or manually copy and paste if that’s your preference.

App Folders
App Folders – In the phone’s Internal Storage are the application folders. By consensus, camera manufacturers store images in the DCIM folder.

If you only shoot a couple of pictures a month, keeping your images in the Pictures directory will work, but if you’re like me and you’re shooting hundreds or thousands of photos a year, you may want to consider a better file strategy. That’s a topic that I’ll talk about in my next photo tip installment.

Until next time — jw

Dan Gurney, 1931-2018

Dan Gurney photo in Autoweek story. (I wish that I had scanned my slides for a suitable photo of my own to put here.)

Every kid should have a hero; somebody they can look up to and emulate; someone they can put a target on and think, “I want to be like that when I grow up.” That’s why heroes should live to a higher standard; something that seems increasingly hard to do. Perhaps that’s why the age of heroes is dwindling.

I found my hero during a Southern California junior high school shop class. Shop—like the gym—were compulsory classes for a well-rounded education. I hated them. Because I was such a nerd I didn’t do well, and the other boys could smell my insecurity and would circle me, like sharks in bloody water. The cookie cutters that I made weren’t the perfect circles and stars like they made. I probably only got a passing grade because I showed up each day.

That was at the outset of the Southern California car mania, and we were all jacked up on pre-pubescent hormones and we substituted souped-up Fords and Chevys for unrequited sex. At least, those were the magazines allowed in the classroom. In class, I rummaged through piles of Hot-Rod and Motor Trend and found a single issue of Sports Car Illustrated, a car magazine about small European cars and racing more than just accelerating down a drag strip. I took it home and read it cover to cover. This magazine had articles about Jaguars, Porsches, and (drool) Ferraris—with their glorious high-pitched V-12 engines, “OMG; I have to hear that someday.”

It was the first time I read about the pinnacle auto racing circuit—Formula One. The magazine wrote about the European stars such as Graham Hill, Jimmy Clark, Jack Brabham, and a tall American—from California no less—Dan Gurney. That was a life-changing moment and I left drag racing behind and followed a different path.

I read about Dan’s career as he won Formula One races and then Le Mans. In high school one year, my friends drove out to the Riverside track and watched as he schooled NASCAR’s best drivers on a road course (five times in a row). On TV, I cheered his Indy attempts. He was the first driver to win races in Formula One, Indy Car, and NASCAR. His persona was more suited for the Indianapolis milk gulp than Champaign and that may be the reason he invented the inverted Champaign spray—an honored motorsport tradition. After he retired from driving, he continued in racing as a successful team owner and car builder. I admired him enough that when I got to pick out car number in my brief racing career, I chose number 48; as a tribute.

In my early thirties, I was working for a company that flew me to a morning seminar in Orange County. Since my afternoon was free, I booked a later flight and called my friend Gary Wheeler and arranged to have lunch. Gary worked for Dan’s company as an engineer at the time, so I was very interested in hearing about his job. After lunch, Gary took me back to the shop and showed me around. We even went into the boneyard where old racecar parts were kept. I wanted to snitch something for memorabilia, but I didn’t have a way to get it on the plane. In the middle of his tour, Dan came out of the office with an errand that he needed Gary to run. Gary said sure, and in return, he asked Dan if he could drop me off at the Orange County Airport. I was stage-struck when during the introductions anyway, but my heart leaped into my throat during that conversation. Dan said, “Of course, get your things.” I grabbed my briefcase and followed him out to—of all the exotic cars that I envisioned Dan driving—the shop’s Pinto. For me, the five-mile ride to the airport was a New York ticker-tape parade. My head was in the clouds.

Yesterday, my friend Jeff forwarded news that Dan had passed at the age of 86 from pneumonia complications. It’s a very dark day for motorsports worldwide and me personally. I will miss his soft-spoken voice and infectious smile, but I will always remember his triumphs. It’s a very sad moment in my life.

Thanks for the ride Dan.

Until next time — jw