Tag: Landscape Photography

San Jacinto Field Temecula, California

San Jacinto Field - The snow covered San Jacinto Peak dominates the skyline near Temecula, California.
San Jacinto Field – The snow-covered San Jacinto Peak dominates the skyline near Temecula, California.

Long before I moved to Arizona—before my time in the Army—I used to enter rallies driving my 64 Ford Falcon. For my non-gearhead readers, a car rally is a competition where the hosting club plans a pleasant drive through the countryside. A driver’s job is to follow directions at a given speed and arrive at checkpoints on time. At the same time, the event chairperson purposefully writes the instructions as vague as possible for back roads that are impossible to drive at the speed they’re talking about. Each team is scored by how many seconds off you arrive at checkpoints behind schedule—if you can even stay on course.

I mention this because, in last week’s comments, our friend Gary brought up an “uphill-in-both-directions-in-the-snow” moment—in other words, his later recollections of Temecula Valley. It reminded me of the only previous time I visited the farms and fields of Riverside County was during one of these rallies.

In the October between high school graduation and joining the Army, we’d pilgrimage to the legendary Riverside International Raceway to attend the annual Can-Am race sponsored by the Los Angeles Times. In those days, Can-Am cars were the cutting edge of racing technology, having big brutish American engines shoehorned into tiny European chassis. I was an apostle. I didn’t know it then, but in 1969 Uncle Sam was reaching for my shirt collar, so my teenage days were numbered.

As that summer ended, I was already planning a long October weekend at the racetrack. The So-Cal Sports Car Club was staging a pre-race time-distance rally in Riverside, culminating with two laps around the track. I don’t remember why my usual navigator wasn’t available, but I recruited the older brother of one of my friends because he wanted to see the race and said he could read directions.

For brevity’s sake, all I will say about that event was that it started in the Shakey’s Pizza parking lot across the street from Riverside’s stunning Mission Inn on a cool, damp, and foggy Sunday morning. The course layout took us past Hemet, Moreno Valley, and Perris towns. We couldn’t see more than a thousand feet of road through the grey murk. We missed the mountains, fields, and trees dotting the countryside, but we did pass cherry stands that I was sure I’d return to someday. My navigator and I got hopelessly lost and behind schedule, so we threw in the towel and drove to the last known checkpoint with our tails between our legs. We rejoined the group at an infield staging area and thought, “At least we’d get a couple of timed laps around the track.”

You already know what’s next, don’t you? The laps weren’t time trials as I had imagined. It was a painful parade of rally drivers behind a slow pace car at 25 mph. Everyone was holding back to get a run at the turns by the second lap. The pack of cars looked like a hobbled caterpillar trying to make its way along a cherry tree branch. At the time, it was genuinely humiliating. I wanted to show Jim, Dan, Mark, Bruce, and Roger how good I was. Now, it’s amusing.

As Gary mentioned last week, that part of California is different now. The two-lane back roads we sped down are now eight-lane freeways with crowded off-ramps. The rural fruit stands have been replaced with Costco, CVS, LA Fitness, and car dealerships. The pristine mountain ridges are lined with rows of McMansions that look like pop-up targets at a rifle range. With clusters of boxy tract homes, Temecula Valley has become another typical So-Cal suburb.

Queen Anne and I spent time driving between housing developments during our January visit and saw a glimpse of the past. In this week’s photo, you can see the open spaces we found by Lake Skinner. In the shot that I call San Jacinto Field, the foreground is dominated by a field left fallow this season. In the near background, you see low-elevation mountains—Bachelor Mountain (2470) on the left and Black Mountain (3051) on the right. Covered in the snow in the far distance is San Jacinto Peak (10,834), which is over 50 miles as the crow flies. It’s much further if you walk. This photo was taken a month before California recently got slammed with two heavy snowfalls. I’m sure the top is even brighter white at this writing.

Wine Glasses - A sample of red and white wines while enjoying lunch at one of Temecula's Vineyards.
Wine Glasses – A sample of red and white wines while enjoying lunch at one of Temecula’s Vineyards.

Like always, you can see a larger version of San Jacinto Field on its web page by clicking here. Be sure to return next week when we drive up the wine-country valleys and visit some vineyards.

Till next time
jw

Winter Trees Temecula, California

Winter Trees - I picked this photo from our Temecula trip to clearly mark a change from the historic cars and buildings that we've been showing the past few months.
Winter Trees – I picked this photo from our Temecula trip to mark a change from the historic cars and buildings we’ve been showing the past few months.

If you’re a devout idiom believer, March’s weather should be enjoyable. It indeed “came in like a lion.” Here in the Weaver Mountain foothills, snow fell twice this week. With the surrounding mountains covered in white and our rooftops under a blanket of snow, it resembled Colorado around here. You should have seen Queen Anne covering up her plants with wet sheets. I should have taken pictures, but I didn’t want to get my toesies all wet.

As you can see from this week’s picture, we’re taking a break from old cars and buildings this month. Instead, I’ve given you quite the opposite—pure nature. Well, it’s Southern California farmland, and the trees were planted in a neat row. If you look closely, a half-dozen more have been chopped down. I’m not privy to why a farmer planted deciduous trees or the cause of their demise. I stopped the car for this photo because I liked how the dormant trees looked on the sine-wave grassy landscape. It reminds me of the Windows 97 background pictures. I call this photo Winter Trees.

We were driving around the rural Riverside County back roads because we decided to take a break from our hectic schedule of watching I Love Lucy reruns and go on a wine-tasting tour. It’s one of the few road trips we enjoy, and Her Majesty will put down her Kendal and get out of the car.

Decades ago, when I lived in Scottsdale, I had dinner with a restaurateur friend, where he shared a bottle of new wine labeled Calloway. That name should seem familiar because the family makes golf clubs. It was a charming Fumé Blanc. It didn’t come from Napa but from Temecula Valley—a small town north of San Diego. Over the past few years, we’ve tasted some lovely wines from that region and read a few articles praising the area. Since neither of us had visited Temecula, and it was only a four-hour dive, we turned the TV off, hopped in the car, and spent a few days exploring the town.

If you’ve ever driven from Phoenix to LA, you know Mount San Jacinto—the mountain towering over Palm Springs, whose feet begin below sea level, and its peak is 10,834 feet high. A tramway on its east face will take you to the top, and I guarantee you’ll need a jacket once you get up there, even if the temperature is over 100°F below. Temecula is on the other side of that mountain, and to get there, you take US60 to Riverside, then turn south on Interstate 215 and continue on Interstate 15. Even on Wednesday afternoon, you’ll run into traffic—it is California, after all.

I’ve been tasting wines from around the globe since I was wet behind the ears, and Queen Anne and I have continued that journey since she joined me thirty-five years ago. We have witnessed extreme changes in our tasting experiences as the years passed. Some of them have been good, and others have been a disaster.

Queen Anne in Temecula - After visiting a few tasting rooms, this is the look on Queen Anne's face. It means that she needs to be fed before she does a face-plant on the table.
Queen Anne in Temecula – This is the look on Queen Anne’s face after visiting a few tasting rooms. It means that she needs to be fed before she does a faceplant on the table.

When we started so long ago, a vintner’s profit center was selling cases of wine. The tasting bars were a marketing tool used to show off their product. If you liked the wine, you bought a bottle or a case if you were flush. Then the Napa area got uppity and started charging visitors for samples. At first, your charge was applied to a purchase, then you got a glass memento, and finally, you paid to play—period.

Other wine regions eventually followed suit. Today if you want to enjoy the experience of tasting limited-production wines, you can expect to pay from $20 to $30 per flight—per person. Of course, two people can share a taste, but the pours have become stingy. We experienced those prices in Wilcox, Arizona, of all places. Today, a vintner’s profit center has moved to the tasting bar—somebody has to pay for those elegant buildings. It’s discouraging for us poor little winos to have fun anymore.

Do you think that’ll stop us? No way. Life’s too short not to have fun, and during March, we’ll share some of the sights and tastes of Temecula. Maybe we’ll talk about what to look for in fine wines and call out swill for what it is. Meanwhile, clicking here lets you see a larger version of Winter Trees on its Webpage.

Till next time
jw

BTW:

I was pleased with all of last month’s participation. I hope you’ll join in on the conversations if this month’s topic interests you.

Eagle Crags Picture of the Week

Eagle Crags - Red-rock Vermilion Cliff outcrops covered in snow make a perfect Christmas greeting card.
Eagle Crags – Red-rock Vermilion Cliff outcrops covered in the snow make a perfect Christmas greeting card.

Have you ever been in a situation where you had to resort to Plan B at the last moment—and in the end, Plan B was always the better choice? In a convoluted way, that’s what I did to bring you this week’s picture. Let me start at the beginning.

When I set up my December project, I already had four photos picked out. Three of them went up without a hitch, and the last was scheduled for today. I thought it was a doozy—a view of looking down the stairwell of the Hassayampa Inn. You know, one of those shots where the stairs wrap around the frame and seem to go on forever. In the photography world, if you see a shot like that and don’t snap the photo, they will revoke your Artist License.

When I looked at the file closely this week, it was too blurry. The stairwell was dark, and I didn’t hold the camera steady enough while the shutter was open. If you saw it from across a large room, you couldn’t tell, but on close inspection, it looked like something my Aunt Kay would take. I gave up and deleted the file like the professors told me.

Now I panicked and started looking through my files for an alternative. This is where I got distracted and began chasing squirrels. My RAW image files are only halfway organized. I started a system a couple of years ago where I keep them grouped by State-Location-Year (I have so many Arizona pictures that I include a county folder, State-County-Location-Year). Since we moved to Congress, I’ve used this system, but my older files haven’t yet been sorted. It’s one of those Round-To-It things. You’ve probably guessed that I picked this week to start organizing and forgot that I was looking for this week’s post.

I was working on a 12-year-old file from a trip that my friend Jeff and I made to Zion National Park. We’d driven there on the long Thanksgiving weekend and shared a motel room. One image mixed in among the others was a shot of a Vermillion Cliffs uplift called Eagle Crags. When I looked at this image, I wondered, “Why haven’t I ever shown this file?” The mystery was solved when I looked at the file data. The camera that I used had a limited file size and couldn’t be used to make decent prints, so I considered it a snapshot of the weekend.

As I looked at the broken snow-covered sandstone, I remembered that Adobe had added a Photoshop tool that added pixels to an image from thin air—using artificial intelligence. So, I dug around and processed my small file using the “Super-Rez” tool, and the results were impressive. The original file would comfortably fit on a 5”x4” photo, but if you visit my store, you can see what it would look like 5 feet wide. It’s good enough to include on my Web Pages. So while I’m stuck in the house recovering from the crud Queen Anne passed to me, I can wade through more files and discover other hidden gems.

You can see a larger version of Eagle Crags on its Webpage by clicking here. I hope you agree that it’s a lovely Christmas card from Queen Anne and me. Next week we begin a New Year, a new month, and a new project. Be sure to come back then and see where the road takes us.

Till next time
Jw

BTW:

From the Witkowski household to you, we wish you a Merry Christmas and a prosperous New Year.

Dragon Backs Picture of the Week

Dragon Backs - A pair of peaks in the Dome Rock Mountains that look like spiny back dragons.
Dragon Backs – A pair of peaks in the Dome Rock Mountains that look like spiny back dragons.

The drive between Quartzsite and Yuma on Highway US 95 has two parts. Driving in either direction, it’s thirty miles of gentle uphill grade and then downhill for the other thirty. The mid-point is at Stone Cabin (now an empty building shell), where the Border Patrol checkpoint is.

From Quartzsite, the road is dead straight, and your line of sight is limited only by the whoop-de-woos (wash dips) and the earth’s curvature. The 800-foot climb is barely noticeable, and the road is flanked on the east by the KofA Mountains (named for the King of Arizona mine), and to the west are the Dome Rock Mountains (the dome you see west of downtown Quartzsite).

The south half of the trip has a steeper grade—most of which is in the first mile, where the highway drops off a hill. The scenery changes too. There’s a different mountain range far off to the east—the Castle Dome Mountains, but you’re surrounded by the Yuma Proving Grounds, where the military plays with its new toys. Instead of a pleasant drive through the wilderness, you begin searching for things like the down-looking radar dirigible, a Bradley tank using your car for target practice, or the C-130 that just took off and climbed to 10,000 feet before troopers shove something big out of the back—I sure hope that chute opens.

Whenever Queen Anne and I travel this road, I look for these landmarks to help pass the time. I’d rather have a stimulating conversation about physics with her, but she usually has her head pressed against the headrest, her eyes closed, and her mouth open. She stays that way until one of her snorts wakes her.

On the drive home, one of the landmarks I look for is a pair of unnamed mountains in the Dome Rock Range. When I pass them, we’re nearing the Quartzsite city limits. The twin peaks look like a pair of dragons sunning themselves on a rock. I’ve often thought I’d like to get their portrait, but no matter how much map scouring I do, I’m unable to find a way to get closer—short of hiking two and a half miles across the open Mohave Desert.

The spiny back of the dragons climbs from the desert to their west-facing heads—where they watch the Colorado River flow south. As with last week’s shot, we always drive by them right after lunch. That’s the absolute worst light in the desert. I keep swearing on a stack of Ansel Adams books that I will shoot them when the light is correct, but it’s yet to happen.

On our last drug run—when last week’s photo was taken—clouds were gathering over the Dome Rock Range, so instead of a uniform blue sky, there was texture over the mountains. After I took the KofA Thunderhead shot, I walked across the highway and pointed my camera at the dragons. This time I twisted the zoom to telephoto and framed the monsoon clouds. The result is this week’s featured image, which I call Dragon Backs.

You can see a larger version of Dragon Backs on its Webpage by clicking here. Next week, I have pictures to show from a different place for show-and-tell. I hope you can take a break from your Christmas shopping and take a look. We’ll see you then.

Till next time
jw

BTW:

Flagstaff Book - A collection of photographs and musings from our summer trip to Flagstaff.
Flagstaff Book – A collection of photographs and musings from our summer trip to Flagstaff.

Oops, I Did It Again (Britney Spears song written by Richard Thompson). I published another book. This one covers all of the places we visited in and around Flagstaff. As usual, it’s available in two versions. You can see and buy the hardback on Blurb.com—which you won’t do because it’s too expensive—and the free PDF version you can download, view, and print from your computer. There are additional photos in each of the four chapters, so I’m hoping you take a look. You can get to its Web Page by clicking here.

Lomaki Crater Picture of the Week

Lomaki Crater - When viewed from the far side, Lomaki's tall walls appear like the craters that surround the national monument.
Lomaki Crater – When viewed from the far side, Lomaki’s tall walls appear like the craters surrounding the national monument.

How did your Turkey Day go? I can see your eyes struggling to read these words, so at least you’ve come out of the tryptophan coma and gotten off the couch. That’s good. At least you didn’t turn into that weird uncle that kids are complaining about these days—or did you?

Hassayampa Inn - The four story red-brick hotel was opened in 1927 and is one of the State's historic inns.
Hassayampa Inn – The four-story red-brick hotel was opened in 1927 and is one of the State’s historic inns.

Queen Anne and I skipped our usual Denney’s Thanksgiving Day dinner. Instead, we drove up to Prescott and spent the night at the Hassayampa Inn. Since I’m a history freak, we thought it would be cool to dine at the historic hotel and stay for the night. The red brick hotel is far more charming inside than its block exterior suggests. Art Deco, Spanish Revival, and Territorial styles are all mashed together. Except for the scruffy Romanian bartender, I don’t believe anyone on the staff is over 30. They were so bright-eyed, cheerful, and eager to help that it was depressing.

Dinner—well, lunch, really—was uninspired. The special was a half of a Cornish Game Hen oven-roasted turkey style on a plate with a round lump of stuffing, another lump of mashed potatoes, and green beans. My favorite part of Thanksgiving dinner is gravy. Everything else on the plate supports the gravy, so we had to ask for more on the side. For dessert, the chef managed to duplicate a childhood recipe. My first bite of his apple pie brought a flood of memories of eating a Hostess fruit pie at the Circle K. The biggest sin of dinner was the omission of cranberry sauce molded in the shape of a can. An order of Buffalo wings would have been more satisfying.

With that aside, we had a great time in Prescott. We drank wine beside the lobby fireplace, snuck into room 426—where Faith, the ghost lives, walked around the town square, and ended the night by closing a karaoke bar. It’s not what you think; we literally got the bar shut down. We were in the middle of our version of I Got You Babe, when the health inspector bust through the door. He was there because of multiple complaints of howling dogs as far as three miles away. “That singing is not fit for human consumption,” he yelled to the bouncer. Then he took our mikes and told us to return to the hotel and stay in our room. He then padlocked the place until they got more safety training. I was devastated because Anne does a great Sonny Bono when she gets near the right key.

Enough of that; let’s talk about what you came for; this week’s picture. I call the image Lomaki Crater; it’s the last in our series from Wupatki National Monument. I took it on the far side of the pueblo ruin photo from a couple of weeks ago. With a bit of imagination, the tall wall corner resembles a crater like the ones we shot on our visit. There’s even a puff of smoke coming out of the cauldron. The bare walls are a mix of local limestone and Coconino sandstone. When they were built around 1100, they were most likely covered with plaster like the ruins in Walnut Canyon.

You can see a larger version of Lomaki Crater on its Webpage by clicking here. Next week, we start our final project of the year, and even I don’t know what it will be. So, when you come back next week, we’ll both be surprised at what I come up with. I’ll see you then.

Till next time
Jw

BTW:

No dogs were hurt in the making of this article, just my feelings.

Ancient Door Picture of the Week

Ancient Door - A mysterious door between Lomaki rooms beckons you to see what's on the other side.
Ancient Door – A mysterious door between Lomaki rooms beckons you to see what’s on the other side.

When I photograph a place like Lomaki (the Hopi word meaning Beautiful House), I try to walk its perimeter, looking at how the light falls on it. Then I look at details that help fill in its story. As I move around, I’ll stop and take shots of things that intrigue me. My photos are more intuitive than systematic. I look for contrasts and shadow patterns that place the subject in a specific moment.

I was doing that when I entered the Lomaki ruin and came across the door in this week’s picture. I saw the door and thought, “This looks interesting.” I framed the shot and snapped the shutter. Typically, an image with a busy pattern in a uniform light doesn’t work because it looks like a Where’s-Waldo puzzle. However, the dagger of light on the room floor commands your eye to go through the opening. It’s a walk-towards-the-light moment.

As a younger man, I was six-foot tall, but gravity has taken its toll, and now my diminished stature is only 5 foot 11½ inches. Even in my current dwarf state, I had to do a full Asian bow to fit through the doorway. That means that the Pueblo people that built this structure were short. Otherwise, they would constantly bang their heads on the lentil when they came home Saturday nights drunk from the bar. Believe me, that gets old fast.

As I walked through the complex, I got to another room with a low window. Through it, I saw a creature with five legs. It gave me a fright. Was it a centaur with an extra appendage or a giant arachnid with three legs missing? On closer inspection, I saw three legs were carbon fiber, and the other pair wore shorts. The creature turned out to be a fellow photographer. She was a coed from ASU working on a YouTube video about Wupatki.

It’s funny how photographers behave when they bump into one another out in the field. After seeing another camera, they let down any guards. They stop being solitary wanderers and suddenly become highly social as they compare notes. “Did you see this?” You should go there.” In the age of digital photography, it’s gotten worse because now they can compare their shots on the back of their cameras and go into full chimpanzee mode, “Look at this one—ooh ooh ooh ah.”

After our pleasantry exchanges, we parted ways, and she returned to the parking lot. Of course, I didn’t ask for her name or YouTube channel. Queen Anne would kill me on the spot if she knew I talked to a college-aged woman in the field without her chaperoning. After I finished shooting, I hiked back to the parking lot, where Her Majesty was waiting in the car. If I was lucky, her nose was buried in her Kindle reader, and she didn’t notice anything. Before I could say a thing, she blurted out, “I asked that girl if I had to go rescue you.”

“What did she say?”

“She said you were happily wandering around snapping pictures, and you’d be there until you ran out of film.”

It was only then that I realized I was a bit hot, so I started the Jeep and guzzled some water in the cool air conditioning before driving back to Flagstaff. So far, there are no new YouTube Wupatki videos, but I’ll keep looking while I dream of mermaids.

You can see a larger version of Ancient Door on its Webpage by clicking here. Next week, I’ll show my last shot from Lomaki, so be sure to come back and see what we find.

Till next time
Jw

BTW:

It’s Thanksgiving week, so Queen Anne and I wish you a happy and safe turkey day.

Lomaki Picuter of the Week

Lomaki - The crooked walls look as if the fierce Northern Arizona winds will blow them over.
Lomaki – The crooked walls look like the fierce Northern Arizona winds will blow them over.

In the half-century that I’ve called Arizona home, I can’t count the times that I’ve traveled thru Flagstaff and then north on Highway U.S. 89. I travel that route to get to the Grand Canyon, Lee’s Ferry, Lake Powell, Monument Valley, Utah, or Colorado. My best guess would be once a year on average. Sometimes I even stop to take pictures along the way.

With that many trips, you’d think I’d pay no mind to the scenery, but that’s not true. There’s always something new. There’s one location that makes my jaw drop, no matter how many times I see it. I’m talking about the view at Sunset Crater Pass I wrote about last month. It’s an in-your-face example of something I learned in a college geography course: mountains affect climate.

The climate on the south side of the San Francisco Peaks is the polar opposite of that on the north. As you travel to Flagstaff from Phoenix, you climb into the pines, and the temperature can drop as much as 30° along the way. As fronts move north from the Gulf in the summer or west from the coast in winter, the mountains wring moisture from the air as it climbs the slopes. After passing over the mountains, the air is dry and picks up pressure on the way down. Dry air heats faster than humid air. The phenomenon creates a rain shadow on the mountain’s leeward side. The next time you travel north of Flagstaff, stop your car at the pass and take a look back—trees. Then turn to the north again—trees kept away.

Now that you know how mountains work, it’s easy to understand why the early Pueblo Tribes living at Wupatki lived in rock dwellings instead of log cabins. Amazingly, the Indians still used timbers to span the walls and hold up a roof. That means they had to drag lumber off the mountains by hand. They built their structures before the Spanish arrived, so they didn’t have horses.

This week we’re looking at one of the bigger pueblos in the National Monument—Lomaki. That’s a Hopi word that translates into English as “Beautiful House.” Anthropologists have partially restored its two-story walls. As you walk through the ruins, you begin to appreciate the ancient people’s masonry skills and tenacity. They must have had to rent scaffolding for walls that size at A-Z Rentals in town. It was either that or standing on one another’s shoulders. You’d do the same thing.

In this week’s picture, titled Lomaki, you get a good idea of the wall height. The windows are at eye level. A peculiar thing you notice in this shot is the walls are leaning. I’m not sure if the scientist put that feature in on purpose or if they weren’t as skilled as the original Pueblo builders. As a photographer, I have a thing about lines that aren’t level or square. Oceans don’t run downhill, so I wince whenever I see a seascape with a crooked horizon. On my first visit to Lomaki decades ago, its tilted walls jumped out at me. They look like a good wind will blow them over—and this area of Arizona is exceptionally windy. However, on this year’s visit, the walls were still standing and didn’t seem any worse, so maybe they’ll remain long after I’ve gone.

You can see a larger version of Lomaki on its Webpage by clicking here. Next week, we’ll walk around Lomaki and see its details. Come back then and see what we find.

Till next time
Jw

BTW:

The calendar cut-off day is Tuesday, so if you are interested, place your order.

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