Santa Lucia Cows Picture of the Week

Until this week, May has been pretty nice. The temperatures in Congress were pleasant enough that Queen Anne and I could enjoy coffee on the back deck in the morning and have happy hour on the front porch where we watched the daily parade go by. Our nights had been quite cool. By managing the airflow—opening and closing the windows at the right times—we succeeded in keeping the hot afternoons at bay.

All of that came to an abrupt halt on Wednesday. With this latest round of high pressure crossing our State, the evening air didn’t cool off as fast or as much. We finally had to turn the air conditioning on for the season. On top of the heat, people have started new brush fires each day, so I have to accept that summer has come to the desert.

Santa Lucia Cows - A small herd of black cattle graze on a hillside of emerald grass at sunrise.
Santa Lucia Cows – A small herd of black cattle grazes on a hillside of emerald grass at sunrise.

I don’t want to go into the inferno without a fight, though, so I went back through the photos from our recent California trip. I wanted to remember the great morning I spent photographing the sunrise on the Santa Lucia coastal mountain range. There was a slight breeze on top of the hill where I waited in the dark, but my wool sweater was enough to ward off any chill. As I worked my way from the top to the coast road, it seemed like someone was painting in the black shapes with color—like in a coloring book. As the sun cleared the horizon behind me, I stopped along the road to capture a herd of cattle grazing emerald green grass on a hillside. It’s this week’s featured image, and I called it Santa Lucia Cows. As I worked on it this week, I wondered why we didn’t stay in Cambria for the whole summer.

I want to give credit to the artist that influenced me to take this picture. I’m glad that I was able to buy three of Eyvind Earle’s works in my life. They’re all small pieces because I couldn’t afford the six-figure larger ones. If you ever watched the movies Snow White, Sleeping Beauty, or Cinderella then you’ve seen his work. He painted backgrounds for Disney films. That was his day job, but he painted scenes along California’s Central Coast on the weekends. His style was graphical and modern impressionism. His trees and animals had exaggerated long shadows—often bigger than the subject itself. I suppose it’s Eyvind’s fault that I’m always on the lookout for long shadows.

You can see a larger version of Santa Lucia Cows on its Web Page by clicking here. Now I have to snap out of my memory, put on some shorts, and get back to work, so why don’t you please come back next week and see if I found anything good.

Until next time — jw

Shiprock Picture of the Week

Wickenburg’s traffic has worsened over the past couple of months—especially during the weekends. People might feel more comfortable traveling now that Covid restrictions are easing, or maybe folks are just sick of staying home. In either case, going to one of the town’s grocery stores becomes annoying.

There used to be three US highways that ran through our downtown—US 60, US 89, and US 93. That all changed when the feds built the interstates (yes, children, back in my day, there were no freeways). Today, only US 93 remains a significant commerce route—lots of big trucks still pass through town. It starts downtown at the intersection of US 60 and Tegner Street and ends in Jasper, Alberta (the Canadian part isn’t part of the US highway system, but they used the same number on their side of the border).

I have a lot of mixed feelings about US 93. It’s the main link between Phoenix and Las Vegas. It was a narrow two-lane road with twists and turns that made you slow down. There are little white crosses littering the roadside. So many that it was designated the country’s most dangerous road. So, the highway department began inserting four-lane sections over thirty years ago. Even then, they knew it would become a freeway someday (sometime this century, they promise).

When I thought I had extra money to burn, I looked forward to the five-hour trip to Vegas or Bullhead City for an evening in the casinos. Other times, I’d drag my fishing rod to Black Canyon or Lake Meade with dreams of bringing home a whopper. Then, when my folks retired, they’d pull their trailer across the country, alternating between Atlanta—where my sister lives—and Kingman (it was far too hot in Phoenix). As they aged and became unwell, driving north on US 93 became less fun. I can’t begin to count the times that Queen Anne and I made that drive.

One of the landmarks along the road that I always looked forward to was along the Joshua Tree Parkway as the highway descends to the bridge crossing the Santa Maria River. Some large sandstone formations are hidden behind small hills just south of the bridge, and there’s a small gap where you can glimpse Shiprock. For decades, I planned a photography trip out there. The light was never right the couple of times that I tried.

Shiprock - Not the famous one on the Navajo Reservation that is spelled Ship Rock, but the lesser known one in our back yard.
Shiprock – Not the famous one on the Navajo Reservation that is spelled Ship Rock, but the lesser-known one right in our backyard.

The formations are at the eastern toe of the Black Mountains (yet another range with the same name—these are in Yavapai County) and on the other side of Black Canyon Wash, away from the highway. They’re too distant to get a good shot from the road. I found a Jeep trail that got me over the hill, but I needed something like Fred’s Toyota to go down the other side. However, our friends ran out on us for the summer before I could bum a ride.

I took this week’s featured image from the hilltop, and I think it gives a pretty good long view of the sandstone formation and the Black Mountains. You can tell that it’s spring because green chaparral and trees fill the wash. Shiprock is the middle formation (the shadows conveniently point at it). Its name comes from how the left side resembles the stern of an old pirate ship.

This photo also shows the Black Canyon Wash as it flows to the Santa Maria River, just beyond the photo’s right side. That river then flows between the Arrastra Range in the background and the Black Mountains to Alamo Lake. Everything in this picture behind the formations is part of the Arrastra Wilderness Area, so if you want to explore, you’ll do it on foot.

You can see a larger version of Shiprock on its Web Page by clicking here. Come back next week for another shot from around my neighborhood.

Until next time — jw

Skull Rock Picture of the Week

It’s the beginning of May, and right on cue, we reached temperatures in the triple digits. The heat immediately sparked an exodus of winter visitors out of our park. Even some of our full-time residents have already left for summer retreats. Queen Anne and I have been abandoned by our friends to deal alone with the pair of terrorists nesting in the trellis outside our bedroom window.

Since we moved into our Congress home, we’ve had all kinds of birds nest in our vines outside. We’ve had quail, dove, hummingbirds, verdin, and the usual assortment of sparrows—the low-life of the bird world. They’ve always been quiet and discrete and never called attention to themselves. This pair is an alumnus of the Delta Tau Chi.

In spring, we love sleeping with open windows. The fragrant fresh breezes keep the house cool, and there’s the occasional coyote howl, hooting owl, or the sound of a nighthawk we enjoy. As the sun begins to show light in the eastern sky each morning—the mornings are getting pretty early these days—Frank and Margaret celebrate surviving another night by perching on the trellis top and begin a sparrow’s equivalent of “Ode to Joy.”

Have you ever really listened to a sparrow’s song? It’s a flat, monotonous “chirp – chirp – chirp.” If left unattended, it can go on for hours. The Queen—who has disdain for anyone having pleasure—soon yells, “Off with their heads.” My obedience is blind, so I stumble out of bed, walk over to the window, throw back the sash, and scare the birds away with my ugly pre-coffee face. That chases them off, but it’s only a while before they’re back and at it again. Sing – scare – repeat.

When the sun does come up, their second act begins. With the new light, they see their reflections in the glass, and like the emu commercial on TV, they start defending their nest. They fly against the window, pecking at the reflection. They fly back and forth along the window top, fighting their perceived intruder. It’s a wonder that my window isn’t perforated. It doesn’t stop until I get up, walk over, pull down the blind, and show my face.

It’s gone too far, so I concocted an evil plan to get even. I went to Goodwill today and purchased an old-timey alarm clock—a bright yellow one. You know—the kind with two bells on top that dances around the end table until you smash it with a hammer. I set the timer for 2 am and hid it in the vines near their nest. I can’t wait for tomorrow when Frank makes a sparrow’s impression of Don Knotts. Meanwhile, I found an old English recipe for Sparrow Soup if it doesn’t work.

Skull Rock - People in Yavapai County love to paint rocks resembling objects to make it more obvious to other people.
Skull Rock – People in Yavapai County love to paint rocks resembling objects to make them more evident to other people.

This week’s featured image is called Skull Rock. The people in Yavapai County have a thing about painting rocks that resemble things because people would never figure it out on their own. Unlike our frog, you have to search for the skull. It’s halfway up the Hillside dirt road. It’s hidden behind the elevated railroad tracks, so you have to do a bit of climbing to get a shot of it. One story I read said a Santa Fe engineer originally painted it to tell passengers that the Apaches killed a poacher and left his skull behind to warn others. Then he’d laugh when they reacted as the train rounded the bend and the rock came into view. I can’t vouch for the story’s validity, but it sounds reasonable. You can see a larger version on its Web Page by clicking here.

Until next time — jw

Beach for One Picture of the Week

Did you really think that we would leave California without bringing back a beach shot? No way—that would be unconstitutional. Whenever Queen Anne and I visit the Morro Bay area, we always save an afternoon for a drive up the Big Sur coast. Sometimes we make it to Carmel for lunch; sometimes, we’re blocked by a landslide—like this year.

Getting to Monterey Bay isn’t the point; there are traditions we have to uphold. As we pass by San Simeon, we point to and wave at the hilltop castle. A stop at the elephant seal colony is required to watch them sleeping on the beach. If we’re not planning a full drive, we’ll pick up a bottle of local wine, some cheese for Anne, and Italian deli meats for me. There’s a beautiful little beach under that famous bridge featured in all the postcards you see, and we spend a couple of hours picnicking on a blanket while we search for Japan on the Pacific horizon.

Four Elephant Seals - With mating season over, four young female elephant seals can finally nap on the warm sun without those big galoots accosting them.
Four Elephant Seals – With the mating season over, four young female elephant seals can finally nap in the warm sun without those big galoots accosting them.

Because of this year’s landslide, we didn’t even make it to our picnic spot. Instead, we drove leisurely along the Pacific Coast Highway to the spot where Caltrans turned back traffic. From the pull-out, we could clearly make out the slide area just south of our bridge. It still looked like Big Sur; only a section of the road was missing. The ocean below was full of silt that turned the water mud brown. It surprised me that it hadn’t settled during the month since part of a mountain fell into the sea.

With the rest of the afternoon to kill, we made our way back to Cambria, frequently stopping to take pictures of beaches, flowers, seals, and the San Simeon lighthouse. I was disappointed that the grounds were posted as a “No Drone Zone” because I had such a great shot planned.

Back in the village, we had one last dinner out and then stopped at the local liquor store. We found out a little secret during our last trip. It’s fun to taste the new vintages at the vineyards, but the liquor store (and the Circle K), sells bottles at discount prices. We sadly went back to the motel with the few bottles we bought and prepared for the long drive home.

Beach for One - Surprisingly, you can find a secluded beach for a private picnic along California's central coast.
Beach for One – Surprisingly, you can find a secluded beach for a private picnic along California’s central coast.

This week’s featured image is called Beach for One, and you can see a larger version on its Web Page by clicking here. I picked this shot because you’d never expect to find such a lovely spot in California without a single person on it or in the water surfing. I’m going to print a small version over my desk to remember this moment come July and 115º temperatures.

Until next time — jw

Tres Eucalyptus Picture of the Week

Eucalyptus trees along California’s coast are so pervasive that you’d think they were an indigenous species. They’re not—Australian miners brought them during the ’49 Gold Rush. As a kid growing up in Southern California, the tall trees were always a part of the landscape. One of my fondest memories was how the eucalyptus scent in the air announced the coming rain—much like the creosote does in Arizona. Can you imagine visiting San Diego without eucalyptus? It would look like the coastal desert that it really is.

There are many good reasons why these trees are popular. For one thing, they’re fast-growing, and that’s why they’re planted in new subdivisions. If you wanted a tree to dominate your backyard, you’d have to wait a couple of hundred years for a live oak to mature. If you stick a 15-gallon eucalyptus in the ground, it will reach 20-30 feet into the air in five years. Depending on the variety, these trees can grow to 200 feet into the air.

The fast growth of these trees is why farmers plant them on the windward side of their fields. They make great windbreaks. And because they are drought-tolerant, they don’t require a lot of water, even here in Arizona. Decades ago, when Phoenix’s west side was mostly farmland, I would detour off I-10 onto Cotton Lane. It avoided the congestion closer to town. I remember driving past the rows of towering eucalyptus and enjoying the flickering shadows on the windshield in the afternoons. Even during temperatures of 110°, it seemed cooler, if only psychologically. Sadly, those farms have given way to housing developments and warehouses along the loop 303 corridor.

I had always believed that these trees produced trash wood, but—while doing my research—I watched a YouTube video on how to harvest one type of eucalyptus to produce 16 foot long clear white planks suitable for flooring. The wood is quite hard and rivals bamboo in durability. I may have to consider using it on one of my wood projects.

On the other hand, eucalyptus trees have drawbacks. Although they are evergreens, they shed leaves and bark all year round, fueling fires. So, you constantly have to “rake the forest.” Like cottonwood trees, they’re lepers. Infected limbs tend to fall off—onto your head unexpectedly. Unfortunately—like tumbleweed, tamarisk, and kudzu—one of its varietals (Tasmanian blue gum) has escaped and is considered invasive. It doesn’t do well in drier parts of California, but it’s become a nuisance along the foggy coast.

Tres Eucalyptus -A trio of white bark eucalyptus growing along the SR-46 roadside near Morro Bay, California.
Tres Eucalyptus -A trio of whitebark eucalyptus growing along the SR-46 roadside near Morro Bay, California.

I found this trio of eucalyptus—featured in this week’s image—during my morning drive on California’s SR-46. They were only a couple of hundred yards down from the Yucca Hedge that I wrote about last week. At first, it was the light golden bark that caught my eye, but when I began processing this image, I was really pleased to find that there are only three colors in the picture; white, green, and blue (which happen to be the colors of the Sierra Leon flag, but that’s not important here). The simple colors here suggest a graphic photo. I’ll take it, even if it wasn’t planned.

I called this photo Tres Eucalyptus, and you can see a larger version on its Web Page by clicking here. Be sure to come back next week when we add another picture from our time along California’s central coast.

Until next time — jw

Yucca Hedge Picture of the Week

I’m a morning person. I wake up at dawn’s first light. If I try sleeping in, I just lay in bed with my eyes open until I give in and get up. Then, I work a few hours (writing blog posts, for example) before we have breakfast, and then it’s time for my morning nap. I haven’t needed an alarm since retirement. In fact, when I need to get up early and set a time on my clock, I wake up before it goes off. That’s the story of this week’s picture.

When Queen Anne and I traveled to California a couple of weeks ago, we only had four days, so that’s two days of driving and two days for play. Since I like photographing in the early morning and late afternoon, I planned to be shooting during those times, even if it meant getting up in the dark.

One of the subjects that I wanted to take pictures of was the Santa Lucia Range’s rolling foothills at sunrise. At home, the sun’s been coming up before 7 am, and since California goes on Daylight Savings Time (whatever for?), I should be good if I hit the road by then, so I set the alarm for 6:30.

During the night, I woke at 12:15, again at 1:37, and yet again at 3:30. By the time 5:45 came, I gave up. I got up and dressed in the dark so I wouldn’t disturb Her Majesty. I grabbed my gear and went out to the car only to remember that I forgot my mask, so I snuck back into the room to retrieve it. Getting up earlier than I expected meant that at least I had time to get a Quickie Mart cup of coffee.

Armed with a fresh hot cup of French Roast, I started driving up to the mountain pass. The amount of traffic that I encountered during the fifteen-minute drive surprised me. But then I realized that I was the one on vacation, and other people were going to work. When I reached the top, I found a safe place to park and waited for sunrise, but the sky was awfully dark still.

It took another hour for the sun to break the horizon. I completely misjudged the effects of the time change, and I didn’t take into account that Cambria is about 200 miles further west than San Diego. When the sun finally came up, I began to slowly make my way back down to the ocean stopping and shooting along the way.

Yucca Hedge - The morning sun highlights a hedge of Yucca while shadows remain on the background hills.
Yucca Hedge – The morning sun highlights a hedge of Yucca while shadows remain on the background hills.

This week’s featured image was taken at a ranch only a few miles inland of the Pacific Coast Highway. The owners had planted a hedge comprised of Yucca plants along their drive. They were in full sun while shadows played on the hills behind them. The contrast in light is interesting, and how the spikey Yucca leaves contrast with the rounded hills. The soft morning light also brings out how years of grazing cattle have created terraces in the hills. That’s good because the cattle would otherwise fall over and roll to the bottom. This terracing reminded me of New Zealand, where sheep have changed the landscape in the same way.

I called this photo Yucca Hedge, and you can see a larger version on its Web Page by clicking here. Be sure to come back next week when we add another picture from our time along California’s central coast.

Until next time — jw

Morro Bay Harbor Picture of the Week

The grass is always greener. People who live by the beach travel to the mountains for skiing. Others living in snowy climates come to the deserts to dry out and get warm. What do we desert dwellers do for a change of pace? We go to the beach of course.

After being cooped up in Arizona for the last year, when Queen Anne and I finally got our vaccine shots, we headed off to the left coast for a couple of days. It’s the anti-desert if you will. We drove an extra distance to our favorite part of California because we don’t care much for the giant megalopolis of San Die-Angeles-Barbara. There are too many people there, and they’re all out driving on the freeways.

We drove to what we call—the central coast—the Morro Bay area, and the little hamlet of Cambria. I love the place so much that two out of my three wives spent their first honeymoon there—and the third would’ve preferred it over Utah.

We spent three nights sleeping to the sound of crashing waves on the beach while a fireplace warmed the room. During the days, we put our masks on and enjoyed meals at our favorite diners and discovered new cafes (did you know that there are only four restaurants in the US with a Michelin star?). We strolled along the beach until my calves hurt, drove up to the Big Sur landslide, and peered into the windows of boutiques and galleries. Most importantly—we tasted wines at open vineyards—something we haven’t done since our 2016 Alaska trip. Let me tell you, our local Safeway gets really testy when we set up tables and start uncorking wine bottles for sampling.

But I also needed to photograph something fresh. Last month, I looked at the thumbnails on my New Work index page and realized that everything was brown. No matter how green the saguaros are, the Desert Mountains are brown. Aargh, I’m drowning in the dust. I need water. While Anne was snoring, I snuck out of the room to capture the sunrise, or after dinner, I’d plant her on a bench (she can’t walk when she’s full, so there isn’t much chance that she’d run off) while I walked around the harbor and snapped pictures as I did for this week’s featured image.

I consider Morro Bay’s town to be the southern edge of the famous drive through Big Sur. The Pacific Coast Highway (California 1) returns to the sea here and then continues up through the world’s best coastal scenery section. Here the Santa Lucia Range plunges 2,000 feet into the Pacific Ocean. The highway is temporary here because rock-slides frequently rip the road away from its precarious perch, like this year.

Morro Rock is the stump of a grand old Santa Lucia mountain that time and the sea have worn away. The rock and four neighboring smokestacks are a landmark that you can see from the mountain passes miles away. Morro Bay’s town used to be renowned for the abalone, but that delicacy has been fished out and is now protected. The commercial fishermen have moved on, so mostly private yachts are moored in the town’s harbor.

Morro Bay Harbor - private sail boats and cruisers during a calm spring sunset in Morro Bay, California.
Morro Bay Harbor – private sailboats and cruisers during a calm spring sunset in Morro Bay, California.

In this week’s featured image—Morro Bay Harbor—I tried to capture part of the local fleet using the big rock as an anchor. The setting sun made the cool, moist air glow gold. There’s an unexpected extra between the two boat groupings. In the water near the far shore is a sea otter floating on its back. Only his feet and head sticking above the water. You’ll never see it in these photos or on the Web Site. He’s there, at least I think he’s there . . . well I’m saying he’s there, and you’ll have to take my word for it.

I hope you enjoy April’s change of scenery. You can see a larger version of this week’s picture on its Web Page by clicking here, but if you want to find Waldo—the sea otter—you’ll have to buy an enlargement. Be sure to come back next week for another shot from the Big Sur coast and more fish tales.

Until next time — jw