The Listener Pictures of the Month - Cambria, California

Wooden Tudor-style birdhouse covered with thick succulents in a sunlit Cambria Pines Lodge garden.
Tudor-Style Birdhouse Reclaimed by Succulent Garden – The weight of seasons bowed the little cottage, but the plants cheered quietly among themselves — a kingdom without subjects, waiting for the wind.

There’s a window between breakfast and when Queen Anne finishes her transformation sequence. If I don’t use it, I’m trapped in a room full of mirrors, hair product, and decisions about whether navy is “too predictable.”

So I wandered outside—not far, just down the gravel path that winds behind the main building of the Cambria Pines Lodge. The lodge, if you’ve never been, looks like the kind of place where weddings happen at sunset and someone’s cousin eventually ends up in the koi pond. It’s quaint. Rustic. The walls creak in the wind. The wifi creaks all the time.

But the gardens — those are something else.

Most hotels put in landscaping as an afterthought. A few hedges, a lawn, maybe a dying lavender bush in a whiskey barrel. Not here. The gardens came first. Literally, in 1929, a nursery tycoon named Mr. Covell laid out the grounds not to accent a hotel — but to show off his rare plants. The lodge came later, almost as an apology. “Come see my lobelias,” he might’ve said, “and if you get tired, we have rooms.”

Covell was big on juxtaposition. Cactus next to roses. Pines next to palms. I suspect he was the kind of man who called eucalyptus a conversation piece. The grounds still host garden shows and landscaping workshops, and judging by the succulents, he may have been on speaking terms with his next-door neighbor, Randolph Hearst.

Tall, weathered birdhouse with a roof of succulents and trailing plants in a garden setting at Cambria Pines Lodge.
Forgotten Birdhouse: Nature’s New Tenant at Cambria Pines – Like a lighthouse for travelers who no longer came, the tall birdhouse stood wrapped in vines and dreams, waiting for the last sparrow to find it.

That’s Just the Cover Story

Tucked into one of the garden’s shady corners, I found a row of ornate birdhouses, each one weathered and half-swallowed by clusters of succulents. They leaned at odd angles, rooflines buried beneath rosettes of jade and lavender-toned sedum.

“What a clever idea for a planter,” I mumbled aloud.

“That’s just the cover story,” came a familiar gravelly voice — the kind that carried faint traces of the East River, like someone who once tried not to have an accent but never quite pulled it off.

I turned, expecting another guest or maybe a gardener. Instead, I was greeted by a raccoon. An aging one. Standing upright. One arm was draped casually across the arm of a wooden bench. The other? Holding what looked very much like a scale-model Havana cigar.

He gave me a long, squinty look that somehow sparkled while also suggesting he’d already solved three mysteries today. The black patches around his eyes looked like wire-rimmed glasses, and streaks of gray crept along his muzzle like sideburns that had given up.

He was leaning on one of those California garden benches with a name plaque bolted to the backrest. I didn’t look just then; it didn’t seem important at the time.

I blinked. Then, brilliantly: “You’re… a talking raccoon.”

He dragged on the cigar, exhaled nothing, and said,

“We talk all the time. Your kind just never listens.”

Still stunned, I tried to recover.

“Do you talk to all the hotel guests?”

He smirked.

“Mostly, we stay away. But you’re different. You’re weird. And your wife wears a plastic tiara to breakfast, so you’re probably somebody.” The name’s Rocky,” he said, puffing on the cigar that didn’t burn. “But around here my folk call me George… for some reason.”

I nodded like that explained something.

“Hi, I’m Jim. What do you mean the planters are a cover story? A cover story for what, exactly?”

George squinted at me with something between pity and amusement.

“For the truth,” he said. “And believe me—you don’t want to know how deep the mulch goes.”

“Try me,” I shot back.

George twirled his twig-sized cigar in the air like a conductor about to cue the string section.

“Don’t you notice anything missing?”

I glanced around, hoping something obvious would jump out. But the garden looked perfectly normal. Impossibly curated, even.

“No,” I said. “Things look… perfect.”

“That’s because you’re looking with your eyes and not your ears,” George said, already disappointed.

“Don’t you notice how strangely quiet it is?”

“Yeah. I like that.”

He sighed through his nose, as if I’d just missed the whole point of the universe.

“No, Curly — don’t you notice there’s no songbirds?

Weathered birdhouse with a roof of succulents and moss, blending into a garden at Cambria Pines Lodge.
Succulent Roof Birdhouse: Cambria’s Quiet Garden Relic – Once tended by human hands, the little birdhouse stood patient and proud, crowned by wild succulents, waiting for life to find it again.

When the Garden Was Loud

George adjusted his posture like he was settling in for a fireside story, minus the fire.

“Before the silence, we had sparrows. Bluebirds. Thrushes. Finches, even. We were lousy with melody back then. Whole mornings would pass in song battles. Territory disputes settled with harmony instead of feathers.”

“That house over there?” he said, pointing at the fanciest birdhouse in the shade. “Used to be the zoning office. Mostly disputes about nest overhangs and who was allowed to hang wind chimes. The wrens ran it — fair but strict.”

I blinked. “You’re saying… the birds had a council?”

“A council, a housing board, three choirs, and an amateur seed-throwing league,” George said flatly. “It wasn’t perfect. But it was alive.”George paused, reached up with his free paw, and pushed at the fur around his eye like he was adjusting a pair of nonexistent glasses — the kind he probably wore in a past life. The gesture landed like a punctuation mark.

“Then the humans stopped tending the feeders. The suet dried up. The fountains got slimy. The bluebirds were the first to leave. Then the thrushes. The rest followed.”

He paused.

“The pigeons?” I asked, curious.

George shook his head. “Pigeons are just sparrows with gambling problems. They moved to Pacoima. Haven’t been back since the peanut debt scandal.”

I didn’t know what to say to that, so I didn’t.

“That was the mayor’s house,” George said. “She ran three feeder disputes and one mating scandal out of there. “

‘Sup George

We were just starting to hit a rhythm — George waxing poetic about bird bureaucracy, me barely keeping up — when a voice drifted in from our right.

“‘ Sup, George.”

It came from a small coastal mule deer standing half in the shade of a low juniper. I say “standing,” but he was slouched. Hard to tell if he had antlers — his hoodie was pulled so low it covered his eyes, and the sleeves hung well past his knees.

“Hey, Daryll,” George replied, barely turning his head.

Then, leaning toward me, he added in a hushed voice,

“He thinks he’s a celeb ’cause one of his kin starred in a movie a long time ago. They still run it on PBS during pledge week. It’s too violent for me. They shoot the mother.”

“Why’s he dressed like a punk?” I asked. “He does know he can’t run with his pants that low, right?”

George didn’t answer. Just stared after him with the quiet sadness of someone who’s already tried. George shrugged.

“Had a vape habit. Rehabbed in Morro Bay. These days, he mostly plays Candy Crush on his phone and wanders the neighborhood with his pants halfway down his backside. Says it’s a ‘statement.’ I think it’s just bad elastic.”

Daryll didn’t say anything else. He just nodded toward us like he might return later, then vanished behind a hedge, earbuds in, and his tail barely twitching.

Old wooden barn-shaped birdhouse with broken boards, nestled among garden plants at Cambria Pines Lodge.
The Last Barn: Crumbling Birdhouse in Cambria Pines – Long after the songs had faded, the empty barn waited, its timbers whispering to the wind, keeping watch for travelers who never came.

The Scout and the Succulents

George’s voice dropped lower as we walked, like he didn’t want the garden itself to hear.

“It’s not about shelter,” he said. “We’ve got roofs. Shade. Free mulch. But they didn’t leave because of housing. They left because the world got… wrong.”

“Wrong how?”

“Thin, he said. “The sky tasted funny. You know how the air gets before a storm? It felt like that, but all the time. The bluebirds left first. Then the wrens. Even the finches packed it in.”

He paused near the second birdhouse — the tall, elegant one, its wooden walls still proud beneath a crown of trailing succulents.

“Funny you say that,” I offered. “I saw a bluebird this morning. Took a photo of it at the park across the highway.”

George stopped walking. Didn’t blink.

“You’re lucky,” he said slowly. “That was Indigo Jack.”

He stepped closer to the birdhouse, touching the platform’s edge like he remembered something private.

“That’s where Jack stops when he comes. He doesn’t stay long. Never sings. That’s how we know it’s him.”

Like that Potter kid, I didn’t want to interrupt while Gandalf talked. Not that George had a staff — just a twig that smelled like burnt mulch.

“Jack’s a scout,” George continued. “He flies ahead of the flock. Checks the air, the ground, the trees. Looks for signals. We don’t know what kind. Something in the dirt, maybe. A rhythm. A scent. A change in temperature. Nobody asks. He wouldn’t tell us anyway.”

He puffed on his cigar for effect, then glanced at me sideways.

“He used to be bright blue. Almost electric. These days, he’s gone a little gray.”

We passed the third birdhouse — the round, bushy one with a dense succulent crown, like a thatched roof overtaken by leafy tentacles.
George pointed at it.

“We think the succulents are listening.”

“Come on.”

He gave me that sideways look again, like I’d just insulted his mother’s potato salad.

“If you ever turn your back on one, they wiggle their stubby arms, doing that thing where they stick their fingers in their ears and blow raspberries.”

I blinked. “How do you know they move?”

“Because we have to send a cleaning crew out every morning to pick up the beer cans after their frat parties.”

Then he looked over his shoulder, lowering his voice:

“There was another scout once. Before Jack. Showed up unannounced. Landed on the gazebo rail like he owned the place.”

“What happened to him?”

“Didn’t stick the landing.”

Not a Song. Not Yet.

The next morning, the garden was still. Not dead — just… held in place. Like the whole place had paused to hear something faint.

I wandered the paths again, slower this time. George was nowhere to be seen. Neither was Daryll. Not even a hummingbird dive-bombed the feeders. Then I heard it — not a song, not even a chirp. Just the soft beat of wings cutting the air. I looked up.

At the far end of the garden, on the oldest birdhouse — a barn-shaped thing collapsing under its memories — a bird had landed. Smaller than Jack. Grayer. Still. She didn’t sing. She didn’t move.

“That’s not Jack,” I whispered.

George appeared beside me like he’d been there all along. He stared at the birdhouse for a long time before speaking.

“She’s one of the listeners,” he said. “They come first. If she sings, it’s too soon.”

He glanced at me, eyes squinting with that familiar gleam.

“If she comes back with company…”

He let the sentence hang.

“… that’s when you’ll know.”

Just then, the unmistakable clank of a garbage can lid echoed faintly through the trees — hollow and metallic, like someone had just uncovered a half-eaten burrito from last night’s wedding reception.

George didn’t flinch.

“Listen, kid,” he said, already turning away. “I’d love to spend the rest of the day talking with you, but that’s my lunch bell.”

He wandered down a rosemary-lined path, disappearing into the green, pausing momentarily to snap off a twig for seasoning.

I stayed in the garden a little longer. Walked the loops again. Let the silence settle. Then I returned to that bench — the one George had leaned on when we first met. The wood was cool. The seat creaked just slightly when I exhaled. I didn’t check my phone.

I didn’t try to understand any of it.

Eventually, I stood and set off to find Queen Anne and start the day’s drive. That’s when I noticed it — the plaque: tarnished brass, just two words.

Goodnight Gracie.

I left the garden changed. Not in a dramatic way — no epiphanies, no flash of purpose. Just a quiet feeling, like someone had handed me a secret I didn’t quite understand yet.

Queen Anne was waiting by the car, looking regal and impatient in her travel tiara, blissfully unaware of the diplomatic tension I’d just witnessed among the local fauna.

As I turned to go, something caught my ear — soft, tentative.

A chirp.

Not a song.

Not yet.

But close.

Thanks for listening with your eyes.
jw


BTW:

Last year, Wickenburg got a stand-alone butcher shop: Capitol Meats. It sells all-natural, hormone-free, grass-fed beef. It’s not cheap, but we saw a line out the door for their hamburgers last Saturday, so we got in.

The line moved fast: one woman on the register, four guys on the flattop. We split a $15 burger and waited. While I wandered the shelves, I had a full-on epiphany: nothing was packaged in plastic or aluminum. There was nothing to recycle—just honest food in glass and paper. I caved and bought two small jars of truffle-infused mayo. Who needs a pig anymore?

When the burger arrived and we took our first bite, we moaned in stereo. The forward flavor? Beef. Real beef. Everything else was backup singers.
If your favorite burger joint wins you over with secret sauce, you don’t know what you’re missing.

Highly recommended. Just… don’t crowd it up.

Suspended in Time: Adventures Beyond the Petrified Forest Picture of the Month - Petrified Forest National Park

Colorful petrified wood logs under a dramatic sky at Petrified Forest's Rainbow Room with the White Mountains on the horizon
Clouds Over Color: A Journey Through Time: The Petrified Forest’s Rainbow Room captivates with its rich hues of fossilized logs, set against a backdrop of the White Mountains and a dramatic sky.

We were parked on Blue Mesa in Petrified Forest National Park under a new moon when something strange happened. One moment, it was a quiet desert night—just me, Queen Anne snoozing in the truck, and a few restless coyotes yipping in the distance. The next second, everything went dead silent.

Then, as if the universe was playing a cosmic joke, the planets aligned in perfect alphabetical order across the sky. I didn’t even know that was possible. Maybe Jupiter bribed Mars to cut in line. Either way, it felt like the kind of thing that shouldn’t happen unless reality had a glitch.

And then, out of nowhere, a weird blue light appeared. It wasn’t headlights or a flashlight beam—this thing swirled like a dust devil but didn’t kick up dust. Instead, it glowed like the inside of a plasma ball at a science museum. Anne told me to stay in the truck. Naturally, I didn’t listen.

I edged closer. The light wasn’t just floating—it was a hole—a hole in the universe, a hole that swallowed the stars behind it. The sheer impossibility of its physics beckoned me closer yet filled me with an instinctual dread.

Retreating momentarily, I fetched a new tee shirt from our recent gift shop visit, wadded it into a makeshift projectile, and lobbed it at the spectral phenomenon. On contact, the light flared like a campfire doused in brandy, the tee shirt evaporating into a blaze of unknown physics. In its place, a window appeared—one that looked out onto another world.

Except it wasn’t another world. It was this world—just a couple hundred million years earlier.

Two vibrant red petrified logs in the middle of Petrified Forest National Park against a desert backdrop
Timeless Twins: Petrified Logs Standing Sentinel in Arizona’s Heartland—Red Remnants of Prehistory: Twin logs of petrified wood stand in stark contrast to the barren terrain of Petrified Forest’s central expanse.

The contrast was striking. Below me, the landscape stretched out at a significantly lower elevation, nowhere near the mile-high expanse of the modern Colorado Plateau. The sun blazed directly overhead, a stark reminder that this land had once been closer to the equator. What had been a blue-gray dust bowl moments ago was now lush and green—forests of towering Norfolk Island Pines lined the banks of a river fed by distant volcanoes.

A sense of awe welled inside me. I was witnessing the Triassic Period—the dawn of the dinosaurs. This was the initial deposition of what would one day become the Chinle Formation. I recalled from my readings that this geological stratum could reach staggering thicknesses of up to 1,000 feet, layering mud, volcanic ash, and silt into a colorful geological record. Each layer was a story in minerals left behind by cataclysmic floods—floods that had entombed trees, animals, and entire ecosystems in time.

I turned to tell Anne, but she was out cold—head propped against the window, breathing fogging up the glass with every snore. Occasionally, one got loud enough to jolt her awake, only for her to blink in confusion and drift right back off. The coyotes had gone silent, probably unnerved by the glowing vortex, but Anne’s snores carried on, oblivious to time travel unfolding just outside her window.

As I turned back to the portal, movement along the tree line caught my attention. A herd of dinosaurs grazed contentedly on the lush ferns, their stocky bodies covered in what looked like prehistoric leather armor. They had the build of a hippo, the tusks of a walrus, and the personality of a slightly confused cow. Upon later research (a.k.a. Wikipedia), I learned these were Placerias, some of the last big herbivores before the actual dinosaurs took over.

I watched in fascination—until I noticed two of them playing with an orange Frisbee. No, seriously. One scooped it up with his tusks and flung it across the meadow. The other caught it, twirled it, and then sent it flying back with an expert head flick—a prehistoric game of fetch.

That’s when I saw it. One of them was wearing my tee shirt.

Several large pieces of petrified wood clustered together in Petrified Forest's agate section
Agate Assembly: Petrified Logs in Nature’s Mosaic at Petrified Forest – Scattered Legacy: A cluster of petrified logs in the agate-rich grounds of Petrified Forest, each piece a fragment of prehistoric life frozen in time.

Reality teetered. Somehow, the vortex wasn’t just a window—it was a two-way door. My gift shop souvenir had traveled through time, and now, a pair of Placerias named (in my mind) Gonzo and Norm were engaged in a high-stakes game of Triassic Ultimate Frisbee.

Their game was a peculiar sight—half-fetch, half-soccer, with all the earnestness of Olympic competitors. It was a scene of sporting prowess that would have baffled even the most imaginative sports commentator. Amid my amusement and disbelief, a part of me couldn’t help but feel a touch envious of their uninhibited joy—a stark contrast to my usual self-deprecation and haplessness, which at that moment seemed confined to the sidelines of time.

It was a bizarre sight—part football scrimmage, part comedy routine. Norm, the bulkier of the two, lined up his shots while Gonzo made wild, dramatic leaps for the disc. The game might have gone on forever without a sudden, ominous shift in the air.

Dark clouds swelled over the distant volcanoes. A deep rumble rolled through the valley. The river that had seemed so tranquil moments ago was now choked with debris, swelling at an alarming rate. It wasn’t just a storm—it was a flood—a Triassic monsoon.

The realization hit me—this is how the fossils formed. This was the very moment when entire forests were buried, trees transformed into stone, and creatures like Gonzo and Norm were swallowed by history.

The Frisbee dropped. Gonzo and Norm turned, finally sensing the danger. They ran. Well, they tried to. Norm’s stubby legs churned in slow motion while Gonzo, the optimist, still attempted one last throw. The roar of the flood drowned out their squeals. Within seconds, a massive wave of mud and debris swallowed them whole.

The portal flickered. The colors blurred. And then, it was gone.

The coyotes started howling again. Anne stirred. “You ready to return to the motel?” she mumbled sleepily.

I nodded, glancing at the now-empty desert. The past was the past again.

Before leaving Holbrook the following day, we stopped at the park’s gift shop. I searched for a replacement T-shirt but found nothing. Then, as if on cue, the cashier said, “Funny thing—rangers found one like that near a dig site. It’s in lost and found. Want to see it?”

She handed me a stretched, dirt-crusted shirt—with a punctured orange Frisbee sitting underneath it.

I stared. I laughed. And I took it. Because sometimes, the universe has a way of letting you keep the souvenirs that really matter.

Deep erosional textures of the Chinle Formation seen from Blue Mesa walkway in Petrified Forest National Park
Blue Mesa’s Eroded Wonders: Textures of Time in Petrified Forest—Nature’s Sculpture: Blue Mesa’s eroded beauty unveils the Chinle Formation’s intricate textures, a testament to the relentless artistry of natural forces.

Thank you for joining me on this incredible Petrified Forest National Park journey. Suppose you’ve enjoyed this tale of prehistoric whimsy and modern-day mystery. In that case, I invite you to explore larger versions of this month’s images on my New Work Portfolio. These photos will be displayed there for three months before being rotated.

As the echoes of the ancient past slowly fade, let’s turn our gaze to a different historical exploration. Next month, join me for a night among the neon and nostalgia of Gallup’s abandoned motels. We’ll explore the haunting beauty of old motel signs, capturing the stories they whisper to the desert winds. Don’t miss this eerie yet visually captivating journey—subscribe now to get a reminder as soon as we go live.

Until then, keep exploring the layers of history around you, and perhaps you’ll discover your own story woven into the fabric of time.
jw

Union Pass: Capturing Arizona’s Rugged Beauty and Laughlin Casino Antics Picture of the Week - Laughlin, Nevada

Elderly woman named Natley standing in front of a Laughlin casino with a walker and oxygen tank, dressed in black under a glowing sunset sky
Bold and Beautiful: Natley at the Casino Entrance – Bold and Beautiful: Natley at the Casino Entrance

Queen Anne, my darling wife, flew east last month to join her sisters for a week in New England. Supposedly, it was an Autumn-Leaves tour, but they went to Salem in October during a full moon. I’m no math whiz, but I know what you get when you combine four and ten. That’s right—WITCHES!

I’m a big boy, so I wasn’t about to spend my time alone sulking and drowning my sorrows in a tub of Cherry Garcia—I intended to treat myself to a night on the town—another town—in another state. Laughlin, Nevada, is an easy three-hour drive via Kingman, across Golden Valley, through the Black Mountains, and down to the river. I booked a cheap casino hotel room for Wednesday night and set off, determined to lose some money on a craps table.

The downside of weekdays in Laughlin is that it’s mostly closed. The big weekend crowds are working, so the remaining patrons are retirees like me. Half of the restaurants are dark, and some casinos don’t open the gambling tables. You have to search for a place to eat and find some action, so I ended up at the Riverside Casino. They had a couple of working Blackjack tables and one craps table. I think the staff outnumbered the players when I joined. Two people were on the right of the stickman, so I claimed an open spot on the left.

Trying to get a feel for the player’s moods, I looked at the faces around the table. Because masks were mandatory, it was hard to tell who was doing well. A woman across from me wasn’t even a whole face—only a pair of brown eyes behind jewel-rimed glasses and a silver-blue hairdo peering over the table’s edge. Like my mom, her short hair had enough hairspray to keep it in place between weekly salon visits. She had a few chips on the rail pushed to one side so they wouldn’t block her view of the playing field.

I placed my bet; someone threw the dice twice and lost. Then, we all took a turn bouncing the dice off of the far wall when the silver-haired lady stood up. Until then, I didn’t realize she was sitting. Even when she stood, she wasn’t much taller. She scooped up her remaining chips into a clutch. I thought she was leaving. Instead, she began pushing a walker towards my side of the stickman.

As she maneuvered her tricked-out lavender walker behind the dealer, I saw that she had dressed to party. She had on a very sparkly silver lame top and black spandex pants—which, quite frankly, bagged a bit. Weirdly, as I watched her, I suddenly heard Lenard Cohen singing his tune—Closing Timein my head:

“…And the place is dead as Heaven on a Saturday night
And my very close companion
Gets me fumbling gets me laughing
She’s a hundred, but she’s wearing
Something tight…”

When she got close, she spoke through her mask in a voice from years of smoking Chesterfields, “Hey, big boy. You need a good luck charm.”

“Hi,” I smiled (a useless gesture behind my mask) and introduced myself, “I’m Jim.”

“Nat-ly,” she replied.

“It’s a pleasure to meet you, Natalie.”

“No. I’m from Flatbush. It’s Nat-ly,” she corrected with furrowed eyebrows.

“Sorry. What kind of good luck charm are you talking about?”

She explained, “Well, every high roller knows it’s good luck to have an attractive woman beside him while he rolls the dice. You’re alone, and I’m the best-looking dame in the joint.”

Just glancing around the room was enough to confirm that she was right. “What’s in it for you?”

“Well, you tip me each time I blow on your dice for good luck.”

I was curious, “Do you do this for everyone?”

“Na,” she blushed and went on, “The girls and I spotted you the minute you came through the door.”

“That was because of my dashing good looks and natty fashion sense, I bet.”

“No. You’re the only man in the casino standing upright without a cane. You know how cougars are; we like ’em young and stupid.”

With that, Nat-ly positioned her seat to my right and plopped herself down. On my roll, she blew on my dice for luck. I made my point once, so her luck wasn’t bad. “You’d do even better if I hung off your shoulder,” she offered, “It’s only $20 bucks.”

As she shuffled into position with her walker, I noticed it wasn’t just any old walker—oh no. This thing was tricked out. The wheels sparkled with silver hubcaps, and a small rearview mirror was angled just right so she could check her six. On the front, she had a basket full of essentials: a pack of Chesterfields, a rhinestone coin purse, and what I can only assume was a custom-made cup holder for her drink. This was a woman who came prepared.

Nat-ly caught me eyeballing her ride. “Yeah, pretty sweet, huh? Got it for a steal from that nice boy on Pawn Stars. Ain’t it somethin’?”

I nodded, impressed. “Must turn a few heads.”

“More than you, honey. But don’t worry, you’re cute for an amateur.” She gave me a wink that made me wonder just how deep this rabbit hole of flirtation was about to go.

After she blew on the dice and I made my point, she leaned in close—well, as close as someone who needs a walker can lean—and whispered, “You know, I used to be quite the looker back in my Mustang Ranch days. They called me the queen of the floor.”

I wasn’t sure if she was talking about the casino or…well. Either way, I kept my poker face on.

“I bet you were,” I replied, tiptoeing across a tightrope suspended over a canyon of uncomfortable truths.

Her eyes twinkled mischievously. “You ever been to Mustang Ranch, big boy?”

I coughed and pretended to study the felt of the table like it was the most exciting thing I’d ever seen. “Can’t say I have.”

“Pity,” she sighed, blowing more cigarette-scented luck across my dice. “But you can call me Queen Nat-ly tonight.”

“Right,” I mumbled, “Your Majesty.” I couldn’t help but picture her in some sparkly crown, probably with matching orthopedic shoes.

As I rolled again and somehow avoided crapping out, she started to hum, her raspy voice crackling like the old vinyl records my parents used to have. I strained to listen. Was that Frank Sinatra? No. Wait…Dean Martin? Then I caught the words. “Fly me to the moon…”

Of course, why wouldn’t the woman sitting next to me, flirting and stroking my arm with a cane, be serenading me with a Sinatra classic? This felt like a fever dream, yet I was a willing participant.

Given her stature, I couldn’t imagine how she could reach that high, so my curiosity bettered me. I handed her a couple of chips. She reached down and pulled a cane from the tool rack attached to the walker’s side. Then she raised it, hung the crook over my shoulder, and gently stroked it back and forth. I almost laughed, but she was so adept that it felt alright.

She said, “For $5 more, I’ll play with your ear.” When I turned, she held one of those trash-grabbers for me to examine. I declined, so she slipped it back into its rack spot.

The night passed, and the dice went clockwise around the table twice while we talked. She worked at the Mustang Ranch until the Feds seized it, and she retired. Since the Treasury Department managed the business, she got a federal employee pension. After she quit, she moved south from Reno to enjoy a warmer climate and affordable housing. Now, she spends her free time watching the tanned muscle boys ride jet skis up and down the river.

I managed to hold onto my bankroll an hour and a half before it ran out. As I packed my things, I saw Nat-ly slumped over—asleep. I knew the dealers wouldn’t let her stay at the table alone, and I didn’t want to wake her. So, I pushed her to the nearest quarter slot machine and parked her in front. I reached into my pocket and threw all but one of my quarters into the tray. The last, I stuck in the coin slot. I knew security wouldn’t bother her if a bet were on the table. With that, I left and went to my room. I have pictures to shoot tomorrow so that the day will begin early.

Union Pass - To cross from Kingman to the river, you drive through Union Pass. Here we see layers of Tuff - volcanic ash - that was broken and tossed in the air when the Black Mountains were formed.
Union Pass – If you’re heading from Kingman to the Colorado River, you’ll find yourself winding through Union Pass, a rugged stretch that feels like something out of a something out of a John Wayne western. It’s a landscape dominated by layers of Tuff—volcanic ash that was once spewed from ancient eruptions like confetti at a Fourth of July parade. Over the millennia, the earth beneath Union Pass has shifted, crunched, and folded like a creased road map in the glove box, the layers into the Black Mountains we see today. The result? Jagged formations of twisted rock that look like they’d been tossed around by a giant who got fed up with a frustrating game of Jenga. These rocks are as old as time and just as stubborn, refusing to wear down despite the elements constantly gnawing at them.

The last time I made it through the Black Mountains of Mohave County was during last year’s trip to Oatman, where I nearly lost my mind watching burros treat the town like it was their buffet. Every time I drive through these mountains, it’s like catching up with an old friend who’s always got a new trick up his sleeve. This time, Union Pass caught my attention—a stretch of road that, depending on the light, either looks like a peaceful desert oasis or the aftermath of a Hollywood disaster flick.

I decided to pull over at the hilltop on my way home, determined to capture the rugged beauty of this desert landscape. I mean, how could I resist? The morning sun played peek-a-boo through thin clouds, casting soft shadows across the rock formations. The kind of light makes photographers drool and desert rats scratch their heads, wondering what the fuss is about.

This week’s featured image comes from my morning scramble at Union Pass. I named it after the location because that’s where I parked the truck, hopped out, and started pacing up and down the highway with my camera like a man on a mission. The morning light, softened by a delicate veil of clouds, created a perfect mix of shadows—.just enough to make the rock layers stand out without giving it the overexposed look of a tacky postcard.

I’m sure these are the same Tuff layers we learned about during our Organ Pipe National Monument visit. Tuff is the aftermath of volcanic eruptions—a thick blanket of ash that hardens over time into solid rock. What makes Union Pass fascinating is how those layers have been cracked and thrust into the sky during the tectonic tantrum—a geological fit of rage—formed the Black Mountains. It’s like nature’s geology lesson, written across the landscape in jagged peaks and crumpled ridges.

If you’re curious about what else I captured at Union Pass, swing by next week. I’ve got another shot that showcases just how wild and beautiful this stretch of the Black Mountains can get. Trust me, you won’t want to miss it!

Until next time
jw

Chena River Crossing – Alaska She Cast No Shadow and Left No Mud—Just Questions

Last night, Anne and I drove to a river crossing our map claimed was “good for fishing.” It was around six—plenty of daylight left in an Alaskan summer—and Anne stayed in the car, deep into a Kindle novel, while I rigged up my fly rod.

I started casting along the right bank. No luck. So I moved upstream to the left of the parking area and made a few more casts. That’s when I heard a car door thud shut behind me. I turned, assuming Anne had gotten bored.

She hadn’t.

Instead, striding toward me was a slender woman of Asian descent, most likely Japanese. She had long legs, glossy black boots that somehow reflected the sky, black skinny jeans tucked in without a wrinkle, and a smoke-blue silk blouse that looked straight out of a travel fashion shoot and utterly out of place in bush country.

Her clothes whispered “high-end.” Her walk said “not in a hurry.” Her eyes—dark brown and direct—locked on mine as she smiled. She looked familiar, somehow. Like Janet Lee, the pool player, not the one from Psycho.

She carried a fly rod case, the good kind—big enough for a two-piece rod and reel combo, likely carbon fiber. When she stopped beside me, I forgot which hand my rod was in and managed to snap my fly line into the back of my head like a seaweed wreath.

“Do you mind if I fish the bank below you?” she asked, in a voice smooth enough to sell jazz records.

I meant to say, “Please, be my guest.” What came out was, “Why sointley.” Full Curly Howard. I winced.

She didn’t laugh. That was somehow worse.

She descended the muddy slope as if it were hardwood, said she’d caught two graylings here the other night, then squinted upstream. “Wait—this isn’t my spot. I was closer to that downed log.” And just like that, she turned and headed back up the bank.

I offered a hand. She declined, ascending as if by gondola. Her boots were still gleaming. No mud, no effort, no explanation.

She looked for a path through the aspens, found one, slipped around the last tree…

And vanished.

Gone. Not a sound. No footprints. Not even a branch was disturbed.

I stood there for a solid minute, trying to decide if I’d seen a spirit, an outdoor gear commercial, or an interdimensional guide sponsored by Orvis.

After exhaling and reeling in my limp fly line, I strolled back to the Mercedes.

I put away my gear, shut the door, and slumped into the driver’s seat.

Anne looked up from her Kindle. “What was that all about?”

I turned to her, wide-eyed. “Oh, thank God you saw her. I thought I was hallucinating.”

— jw