My lovely bride abandoned me for a couple of days to get her annual check-up at a beauty spa on the Arizona Rivera—Lake Havasu City. Before she climbed into her friend—Yasmeen’s—car, she turned to me and with a pointed finger and sternly said, “I have two words for you. Be – have!” Well … that sounded like a challenge to me, so I began thinking about what kind of trouble I could get into. I was in the mood for a photography outing and I hadn’t been to Stanton since Fred and I got lost, so I tossed my gear into the truck and set off to get some new photos.
Hotel Stanton – During the Summer of Love, hippies moved in and set up a commune. Unfortunately, they tore down many of the old buildings for firewood. LDMA has slowly repaired the remaining structures since acquiring the town in 1976.
Stanton is one of the many towns in mountainous Yavapai County (rhymes with have-a-pie) where, because someone discovered gold, a town sprung up overnight and disappeared just as quickly when the ore played out. It was little more than a stagecoach stop on the Wickenburg-Prescott road at Antelope Creek until a tracker named Alvaro chased an errant burro to the top of what is now Rich Hill. When he got back to camp and told the expedition leader—Pauline Weaver—about finding gold nuggets “the size of potatoes” on the summit, you can surely guess what happened next.
Opera House – The Opera House is an adobe building with a brick façade. It’s now used as a meeting hall for the RV Park.
The town—known at the time as Antelope Station—got its name from an unscrupulous character named Chuck Stanton who moved to the thriving community several years later. Stanton opened a store and, with the help of his hired banditos, killed off his competition. His reign didn’t last very long as he was shot and killed that same year (living with swords, I guess). The town thrived afterward for several decades but it had a bad reputation. “In 1892, for example, a Prescott newspaper reported that the residents of Stanton liked to ‘drink blood, eat fried rattlesnakes and fight mountain lions’” (Wikipedia). By 1905 the gold ran out and Stanton was abandoned.
Stanton Homes – Only three houses have survived the years of abandonment. They line a street surrounded by campers.
Ownership has changed several times since then and now it belongs to Lost Dutchman’s Mining Association (LMDA) and they have turned it into a member’s only RV Park. Membership is kind of pricey but LDMA has methodically bought up mining claims in the area and its members can work those old claims without charge. It’s surprising how many people will pay good money to play in the dirt—I don’t even like to plant flowers. Guests are allowed to visit but they first have to stop by the office and sign a release.
After my visit this week, I drove further down the road to the old Octave and Weaver mine sites and saw people on either side of the road prospecting. Late in the day, I stopped to take a photo along the roadside at quitting time when several trucks pulled out of a side road. They all slowed and waved and one of the men stopped to ask if I was getting some good shots. I asked him how his day went.
“What do you mean?” he asked.
“Did you make a fortune today,” I explained.
He laughed and replied, “Only the boss makes any money.”
“I see.”
Then he started telling an old joke, “Do you know how to make a small fortune in placer mining?”
“Yeah, you start with a big fortune,” I responded.
With that, he laughed and drove off in a big trail of dust.
Robson Mining World Sign – The entrance to Robson Mining World is bullet-riddled Yavapai Apache riding a pinto.
I grew up during the era of the TV cowboy. After dinner, my family would gather in the living room and watch shows like Gunsmoke, The Rifleman,Maverick, and Have Gun—Will Travel to name a few. My dad was a tyrant about the shows we watched and we kids were the remote. Maybe that’s the reason I—and perhaps all my generation—have a fascination with ghost towns. We grew up with Tombstone, Dodge, and Virginia City on our TVs, and vowed to visit them one day. Maybe we’re longing for a simpler time—when the good guy wore a white hat.
The ghost towns best known in Arizona are Jerome, Tombstone, and my favorite, Bisbee. All of these places have residents, so they’re not as much a ghost town as they are tourist traps. A mining town’s fortune is dependent on the mineral wealth removed from the ground. The town’s size correlates perfectly with the amount of ore; be it gold, silver or copper. As soon as the ore plays out, people move on to the next bonanza leaving the hovels and shacks they occupied behind. Without maintenance, those relics soon rot or they’re repurposed for sheds, outhouses, or worst of all, firewood. Most often, when you visit a ghost town, the only things you find are a slab or wall. There’s not much interesting left to photograph. Fortunately, there are exceptions where a state or county government acquired and preserved the scene as a park, such as Bodie and Calico in California.
Yavapai County, where Queen Anne and I live, has its share of Ghost Towns—including Jerome—the most famous. Most of the old sites are high in the Bradshaw Mountains, but mining towns are scattered throughout all the Yavapai mountain ranges; including Congress—our hometown. It wasn’t until we moved here a couple of years ago that I learned about the best ghost town ever, and it’s a mere fifteen miles down the road tucked into the south-eastern flank of the Harcuvar Range.
Travel west on Highway US 60 and Aguila is the first small farm community you’ll come to. The name is Spanish for Eagle derived from the eagle-shaped window in the low mountain overlooking the town’s cemetery. The western terminus of Arizona State Route 71 is a mile east of Aguila, and that’s the short-cut you take if you’re heading northeast to Congress or Prescott from California. Just before the road crosses the Maricopa-Yavapai County line is a sign with a bullet-riddled Indian riding a pinto horse. The sign is for Robson’s Mining World—the ghost town you can see at the mountain base. It’s a mining town that no one ever lived in, but has an interesting story nevertheless.
Robson Ranch Booth – When you enter the town’s soda parlor, you’d expect to order a milkshake. You’d be disappointed because it’s all for a show.
The gold mine at the end of the trail was first claimed in 1917 by Westley Rush, an Aguila melon farmer. Rush’s two daughters—Nella and Alameda, for whom the Nella-Meda gold mine was named—managed to hand dig through the first 115 feet of solid rock before Ned Creighton—a Phoenix banker—bought the claim in 1924. Ned hired a crew to work the mine, and over decades he expanded the claim to its present size. His crew worked until World War II when the Feds shut down all private mines. The mining engineer, Harold Mason, stayed on as caretaker and eventually got the property deed after Ned passed.
After the war, Charles Robson was building his fortune by farming, running the Saguaro motel in Aguila, and hustling the health benefits of his local bee pollen. Harold and Charley became acquaintances when Mason let Robson place hives at the mine. There were minerals around the mine that made the bee pollen exceptional and the bees deterred poachers. That informal partnership lasted until 1979 when Charlie bought the mine from the aging Mason. Robson had bigger plans for the place.
Cash Register – What this old cash register lacks in functionality, it makes up for with class.
Meanwhile, in 1922, Wilber T. Johnson migrated from Missouri to Apache Junction—a community east of Phoenix at the foot of the Superstition Mountains—so he could work in the mines. In 1930, Wilber traded his pick and shovel for an engineering degree from the University of Arizona which made him a highly valued employee. Now we’d call Wilber a hoarder because he collected mine junk—lots of mine junk—for the next fifty years. Johnson got his stash from abandoned mines in the Superstition Mountains, the Mazatzal Mountains, and other mines east of Phoenix and because of its size, his collection wasn’t a big secret. He reputedly turned down a multi-million-dollar offer from Disneyland Tokyo because he knew that they cherry pick the best and discard the rest.
Mack Truck – A classic truck that miners used to haul stuff.
After Charles Robson acquired the mine, he offered to buy Wilber’s collection and the two men finally struck a deal when Charlie promised that the collection would stay intact on Robson’s property. The ink on the signatures hadn’t dried yet before more than 250 truckloads moved decades of mining history to its new home. For ten years Charles, his wife, Jeri, and their sons reassembled the buildings and filled them with the collection’s artifacts. After Charlie died in 2002, Jeri carried on the dream, and toward the end of her life sold the place lock, stock, and barrel to Western Destinations Corporation—the present owners—on the stipulation that nothing ever leaves the property.
Water Truck – A GMC truck that was used to haul water up from the well to the mine.
There’s a small garden in front of the Opera House where we sat in a mesquite tree’s shade as Brett Bishop told me this story. He’s the current caretaker and he and his family live on site. He’s a young man, and when he’s not greeting visitors he keeps busy unpacking the remaining crates and creatively arranging the contents for display. It’s easy to tell—from the tone of his voice and the sparkle in his eyes—that he loves his job. He calls Robson’s a living museum and he often must unravel the mystery of the items he finds in the boxes.
If you’re a photographer interested in nostalgia, I highly recommend a visit. The cost is $20.00 per person which goes toward upkeep. Don’t count on food or entertainment and even the restrooms are period authentic—that’s right; crescent moons. The mile-long dirt road is navigable by a sedan, except after heavy rains. I know that Robson’s will become one of my resources.
A local Yuma favorite since 1946, Brownie’s is on my list when I’m in town.
We’re back this evening from an overnight Yuma trip where I was reminded of what is essential in local news. We had the TV on while we were getting ready to leave the motel. Like most local stations throughout the country, Yuma’s local broadcast talent was on doling out the news, weather, and traffic. I know, it’s good to know how long it will take to get to work. But in this case, instead of helping the viewers avoid the freeway bottlenecks, Channel 11 reported how long the lines were at the Customs and Immigration inspection stations. And you thought your daily commute was silly.
In the spring of 1959, my dad traded in his ’52 Ford Business Coupé for a brand new Ford station wagon. It was two-tone — white over red — with red vinyl seats, push button radio and 4-60 air conditioning — you’d roll all four windows down at 60 miles an hour for greatest effect. Neither my three sisters nor I had a clue why he bought the new car. His pride and joy was the ’56 Crown Victoria that was in the garage. We didn’t need a reason, and we didn’t care. It was new and shiny and had pretty wide white walls. As we found out later, he bought it so we could visit his uncle in California. The six of us were taking a two-week road trip from Pittsburgh to LA and back. We were the Griswolds prototype.
When my dad was behind the wheel, he focused on the destination. I don’t think the man would have stopped for a bathroom break had not one of us been whining from the back. We started out on Friday evening, and drove all night to Chicago, but not stopping until the next evening in Joplin. Mom may have done a stint, but we were asleep in the back.
We were on Route 66, The Mother Road. We didn’t appreciate its significance then, the TV show wouldn’t air for another year and we were too busy making truckers honk their air horns. My dad was relentless, he wouldn’t stop to see the Jackalope, the Thing, the Grand Canyon, or any of the other cool places that cost time and money. Can you imagine torturing kids like that? Signs along the road … “The Thing – 50 miles”, “The Thing – 10 miles”, 5, 4, 3, etc. At least he didn’t stop the car to kill us. Of course, that would have meant stopping the car.
A pair of Chinle Shale formations showing the different colored layers of volcanic ash.
He did stop at one place — The Petrified Forest — he had to. The stupid road ran right through it. He said we could stop and go through the park and we were giddy. Finally, we’d see something and maybe get a break from the treeless desert we drove through. A forest, with trees; made from rocks … yeah! Imagine our shock when we saw all the rock-trees were knocked over. This wasn’t a respite from the desert, this was just more desert … with cool looking rocks. “There’s so many of them, can I take just one mom … huh? … huh? … Can I?” Even now, I sound so annoying, I want to slap myself.
The stops along the park road show off the park’s best. This is the Large Trees exhibit.
Within a month of our return from that vacation, my parents sold our Monroeville house and the second car. They got rid of most of our excess baggage and we moved to California. We settled into a Sylmar rental house so quickly that none of us kids missed a day of school. Although our family drove along Route 66 four more times, we never again stopped at the Petrified Forest. After I moved to Arizona decades later, I made two photography outings to the park on my own.
My favorite part of the park is Blue Mesa with its maze of Chinle Shale erosion.
Yesterday, I took Queen Anne to visit the park for her first visit. Despite what Google Maps says, it’s only an hour trip along U.S. Route 180. The road follows the Little Colorado as the river descends from the grass-covered Springerville Volcanic Fields, past the little town of Saint Johns where the cinder cones give way to dirty tan sandstone. The red silt river played hide and seek, only revealing itself when it passed under the empty highway. As the elevation continued to drop, the sandstone formed low tables and — where water eroded the softer underlying shale — large angular blocks broke off and slumped on the red soil below. Further along, I saw a bright white swell that I guessed was Chinle Shale and I knew we were almost there.
When we visit a national park, we head straight to the visitor center. That’s where you learn stuff … besides, I love those giant relief maps — which they didn’t have here. This time, we sat through the documentary film, browsed the museum exhibits, picked up some pamphlets, and bought two photo books before driving north along the road. As a photographer, I want to see the ‘long-shot’ first, so we slowly drove the road’s length. I made mental notes as we went, and tried to figure out how I’d shoot those images after the crowd thinned. After we turned around, we stopped at each pull-out, walked the trails, and photographed what we saw. As the day passed, I watched how the light and the sky changed as clouds formed over the White Mountains and the San Francisco Peaks before they drifted away in the invisible air stream.
Along the bank of the Puerco River, a Pueblo ruin can be explored at leisure.
We discovered that the park isn’t just about petrified trees, it’s about layers. There are layers of soil and rocks, layers of flora and fauna, and layers of settlers and travelers for everyone to see in an open time capsule. As each rainy season washes away soil, more fossils are uncovered. There are fossils of ferns, grasses, lizards, crocodiles, toads, dinosaurs … and yes, trees. People before us settled this land, and they’ve left things behind for us to find. They left arrowheads, baskets, weaving, petroglyphs, and along the bank of the Puerco River, a pueblo ruin. Other people have traveled through the park. The Mogollon’s had trade routes to and from the Pueblos in New Mexico. In 1853, Lt. Amiel Weeks Whipple used those trails to survey the route now used by Burlington Northern Santa Fé Railroad. The tracks were a basis for U.S. Route 66 and now Interstate 40. These routes are layer upon layer of traders and countless migrants moving across the Colorado Plateau.
To commemorate the famous highway, the park service placed a 1932 Studebaker shell at the place where the highway and park road crossed.
Even though the National Park’s mission is to preserve and protect natural history, I was pleasantly surprised to see a nod to history more recent. There’s a turn-out north of the Interstate 40 bridge marked by a rusty skeleton of a 1932 Studebaker on blocks. It’s the spot where Route 66 passed through the park. The pavement has returned to grass and sage, and only the telephone poles give away the road’s alignment. The road of my past. While I was photographing the scene, I swore I heard distant echoes of four kids in a red and white station wagon, begging dad to stop.
