Today is mother’s day, and I thought about writing something snarky about the holiday because during my morning routine of The Online Photographer I read about Anna Jarvis—the woman that worked tirelessly to get the second Sunday in May set aside for all families to honor their mothers. The twist in Anna’s story is that she spent the rest of her life trying to get Mother’s Day abolished because it had become too commercialized.
Evelyn Moore Witkowski – She was a middle child of six and a mother of four. Happy Mother’s Day mom.
I did think about my mom today because Queen Anne and I would drive to Kingman—if they were in town—to take them out for lunch or dinner. Father’s Day was much easier because dad’s birthday, mom’s birthday, and my grandmother’s birthday were only days apart. We’d get a three-fer on that visit, but there was only one honored guest on our Mother’s Day visits.
I got my mom a can of rubbing compound this time. Since she’s gone now, she doesn’t need any more gifts, and I need to touch up Archie’s Arizona-Pin-Stripes. I’ll do that while Anne is at lunch with her friends. They found a restaurant that’s giving away meals for moms today. We don’t have any kids, but Anne will do anything for a hamburger.
I need to spiff up the cars because I feel guilty after looking at all of the show cars in Kingman last weekend. (See how I did that: Mother’s day-Kingman-car show?) I really shouldn’t go to automotive events. For weeks afterward, I fantasize how it would be nice to have a project car. This week I even spent time Googling prices, and what I found out is that they’re expensive.
Fortunately, at my age, moments of clarity set in before a used car salesman grabs my wallet. To be honest, I don’t have the skills or tools to do a full restoration myself. I would have to hire someone or spend lots of time and money at Harbor Freight (then wait until that peculiar odor dissipates). Besides, when I change the oil on our cars, I have to take Anne’s cell phone, so I can summon her to get me off the ground. But, wouldn’t it be nice to drive a ’53 Buick Skylark ragtop down Main Street on a warm Saturday night with my best girl smacking gum in my right ear?
Caddy ’58 – Although they’re not as tall as those on the 1959 version, there’s still plenty of space on this canvas to reflect the yellow hot-rod next door.
I’ll resign my self to being a car show spectator and taking artistic pictures of them—like this week’s featured image called Caddy ’58. The 1958 Cadillac isn’t prized like the ’59 version, with its two-story tail fins and bullet brake lights. Although these fins aren’t as tall, they still provide a large enough canvas to reflect the yellow hot-rod parked in the next stall. I thought about having a contest and give a print to the first person that identified the car’s make and year, but I remembered that I already gave away the answer in the image’s name and title of this post. So instead, riddle me this, what make and the year is the yellow car reflected in the caddy’s fin?
You can see a larger version of Caddy ‘58 on its Web Page by clicking here. I hope you enjoy viewing this week’s post and next week; we’ll show another image from our Kingman visit.
Route 66 Fun Run In Kingman – For the last 35 years, proud antique car owners gather in Seligman to participate in a fun run and show their cars in Seligman, Kingman, Oatman, and Needles.
My folks lived in Kingman from time to time, so it’s been a common source for many of my stories in the past. After they retired, mom and dad bought a trailer so they could travel the country—or that was the plan. What they did was to split time between Georgia—where my sister lives—and Arizona. It’s not clear to me, but I think they wanted to be close to their kids—however not too close.
They didn’t move on any schedule. Whenever my mom would get a hair up her butt, my dad would call to announce they were leaving. We didn’t know it then, but she was in the early stages of dementia, and something could trigger an episode of paranoia, and then they’d pack up at a moment’s notice. Within a year, they’d be back at the same trailer park where they always stayed. Their random migrations never made sense. We believed they were crazy, which—in the case of my mom—turned out to be more valid than we could have ever suspected.
Since their passing nearly a half-decade ago, we no longer had any reason to stop in Kingman, but last November, when I featured Seligman as our featured destination, I wrote about the Route 66 revival and gathering of classic car and hot rod enthusiasts each year that make a pilgrimage to their Mecca—the Mother Road. Nearly a thousand collector cars gather in Seligman to drive the last contiguous 150 miles of Route 66. They turn a three-hour drive into a weekend event by making show-stops in Kingman, Oatman, and Needles. This Fun-Run has been going on for thirty-eight years, and it happened again this weekend. Since Kingman is up the road (it’s closer than Mesa), I decided to play with the shiny cars, and just to be mean, I dragged Anne along with me.
Red Henry J – Look closely, and you’ll see the Hotel Beale reflected in the red paint of an old Henry J.
For this show, the city of Kingman blocked off the downtown streets and parked the cars diagonally on each side. The car owners set up chairs in the shade on the sidewalks, while the looky-loos (including us) walked up and down the streets. As we walked through the displays, two things stood out. These were old (my age) white men. No Gen X or Millennials participated in the event. After talking with several owners, I got the impression that they didn’t want to drive those cars. They considered them investments, and the worst thing you could do is to add road miles. For example, I talked to the owner of a Dodge Duster that had a blown drag-race motor and sponsor decals down the sides.
I asked, “What’s your best quarter-mile time?”
“Oh, it’s never been on a drag strip. It’s a show car.”
I cringed and glanced at the roll-cage and thought, “What’s the point?”
On our way to see the cars, I told Anne that I wanted to take photographs capturing the vehicle’s essence. Abstracts that you could show to any car-guy and they could name the auto’s make, model, and year. I wasn’t trying to document the vehicle’s visit to the show. I was looking for graphic art. I feel that I succeeded with this week’s featured image that I call Red Henry J. At first glance it seems like a simple shot of a chrome name badge against the red background. If you look closely, however, you can make out the Hotel Beale reflection in the red paint—even though the Internet jpg version loses much of the original’s detail.
Anne had never heard of Henry J’s, so I explained that hot-rodders liked them because they were small and light. They stuffed big engines in them for drag racing, much like what Carol Shelby did for Cobras. You can see the Henry J parked in the middle of the opening shot above. You can also see the Web version of Red Henry J by clicking here. I hope you enjoy viewing this week’s post and next week; we’ll show another image from our afternoon in Kingman.
Before Interstate 40, before Route 66, and before the Railroad, Seligman was a quiet Havasupai Village where Beale’s Wagon Road crossed the Big Chino Wash, and the reason you stopped there was for water. Back then it was called Prescott Junction because you could hop on a stagecoach to the territorial capital. Not a lot of people traveled that wagon trail because it was rough, dangerous, and in the middle of the God-forsaken desert. All of that changed in 1849 when James Marshall discovered gold in California, and suddenly everybody and his brother wanted a share.
Congress immediately passed a bill to give away ridiculous chunks of land as incentives for railroad upstarts to lay tracks from coast to coast, but the Civil War got in the way. Shortly after peace broke out, the railroads got to work in earnest. In those days, you had to plan for fuel and water stops every 30 miles, and that’s the reason railroads built regularly spaced stops every 30 miles. They renamed the town Seligman for Jesse—one of the big money guys from New York. Being halfway between Flagstaff and the California border, its site was in an excellent spot for crew swaps, and since there was plenty of flat space, the company built a large switching yard here. So, Seligman became a busy stop along the route. The trains don’t stop anymore, in fact, they don’t even tap the horn as they rush by on the quarter-hour.
Seligman’s historic district is within walking distance of the old depot, which—unfortunately—was demolished in 2008. It had a Harvey House—like the one in Winslow—and a reading room. I would have loved to have added them to my collection, but I’m a decade late. The old section of town has several notable buildings: a garage with gas pump island, a few warehouses, a boarding home, and some overnight cabins that the train crews used.
Central Commercial – the Pitts and Washington Central Commercial Department Store on Route 66 in Seligman Arizona. It needs to be restored to red brick, and gold lettering with a green awning.
The building that I kept coming back to was this store. I immediately walked to it, because of the flag mural and yellow ribbons on the side wall. After walking around town, I returned and shot some other angles. When I got out the next morning, there it was again, and I liked how the daybreak lit the front. It shows off every brick and the fascia detail along the top. It even reveals some of the original sign hiding under the whitewash. From the tour guide that I picked up at the barber shop, this is the Pitts & Washington Central Commercial Department Store built-in 1903. The brick was probably red, and the signs were gold—like a Woolworth’s. I believe the whitewash was added later to accommodate new tenants. It’s my picture of the week, and I call it Central Commercial.
I think it would be neat to see it restored and brought back to life as a working museum. I see it stocked with period and retro items for sale. There’s not enough traffic to sustain such a free-standing business, but maybe a display center for an online store could work—sort of an Amazon for antiques. I feel the car culture that the town caters to would patronize a store that carried upscale items like that. On the other hand, maybe it’s too late because that’s my generation’s thing, and we’re fading rapidly.
You can see a larger version of Central Commercial on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we’ll show another featured image from a different place in Yavapai County.
I began writing a post for this week’s picture and wondered how cow skulls (horns) and car hoods became a thing. It seemed to originate in Texas. My earliest recollection of the meme was a red ’59 Caddy convertible with a Longhorn hood ornament—or maybe that was JR’s car in Dallas. As a car guy, I never understood why you’d tacky up a perfect vehicle with bovine parts. I guess it symbolized decadent wealth—that you had so much money you could thumb your nose at decorum—a new money thing.
Then, the genre moved to New Mexico, and the horns became a whole skull. Often, the cow’s head is hand-painted or jewel-encrusted. The cars changed too. They were no longer shiny new Cadillacs but heaps from the fifties with rust and dull patina. The whole car-cow thing transitioned from tackiness to art.
Chevy Skull – A cow skull decorates the hood of an era Chevy Truck and whispers tales of cattle ranching during the Second World War in Seligman.
While photographing Seligman, I saw this Chevy truck with a cow skull on the hood; I didn’t bat an eye and thought, “This seems perfectly normal.” Now that I look at this week’s image, I don’t think the skull is even mounted—it’s just sitting there as decoration. Interestingly, each object in the photograph would tell its own story, but combined, they conjure up an entirely different tale. I imagine a narrative of round-ups, chuck wagons, miles of open range, and nights under the stars. I guess it’s a story about a rancher growing beef during the Second World War and how hard his life was.
Sometimes, when I walk away from shooting an image like this, I have a hunch that it’s a good shot, and I can’t wait to see it on paper. This one, however, didn’t stand out in my memory. It wasn’t until I saw it on my computer screen that I considered it a keeper. It’s not about the skull but how the sunrise falls on the truck’s grill. The head balances the dark area in the composition. I named this image Chevy Skull.
Click here to see a larger version of Chevy Skull on its Web Page. I hope you enjoy viewing this week’s post and return next week when we show another featured image from Seligman and Route 66.
When I go to a new town like Seligman, I’m like any other visitor. I take in the bright lights and displays along the main street. After all, that’s the show. The merchants want to attract you into their stores. It makes good business sense. The old maxims counsel you to, “Put your best face (foot) forward,” and “Show your better side.” They can’t make a living if no one comes in. That’s why the storefronts are updated continuously with fresh paint, displays, and signs.
Fire Flag – A retired Seligman fire truck sits along a clapboard store.
But sometimes there’s good stuff out back, and that’s why I walk a new town’s back streets and alleys. They aren’t all spit-polished, and you can see a building’s structure untouched since it was new. If you’re looking for history or art, an alley is more rewarding because merchants ignore it.
That’s how I found the subject for this week’s featured image. It wasn’t behind but along a clapboard-sided store. It has a big faded hand-painted flag and retired fire truck which could be a museum display. The mural alone was a good shot as was the fire engine, but I decided to go for a twofer. The block of purple is a mystery, but it works in the photo. I named this image Fire Flag because it was a short, catchy description of the image.
You can see a larger version of Fire Flag on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we’ll show another featured image from Seligman and Route 66.
Well, that didn’t work; it’s not musical and doesn’t even rhyme. I suppose I shouldn’t try to mess with Bobby Troup’s song. I haven’t any musical talent anyway. My grandmother repeatedly told me, “You couldn’t carry a tune in a bushel basket.” The only thing I can play is the radio … while I’m driving, and when I drive across northern Arizona, that 1946 song inevitably pops into my head. Everybody from Bing Crosby, Chuck Berry, to the Cramps, have recorded it, so the tune has legs.
Rusty Bolt-The Rusty Bolt drags bus-loads of tourists into the saloon to try their signature cocktail-a Rusty Bolt. I assume it’s a Rusty Nail in a bigger glass.
The reason that song has become an earworm in my brain is that Queen Anne and I drove two and a half hours to Seligman for this month’s photo shoot and we never left Yavapai County. For fifty miles, Route 66 runs along the northern border of our county—from Yampai to Ash Fork—and Seligman is at the west end of the most extended active section.
I’ve already recalled some of my personal experiences traveling cross-country on US 66, so I don’t want to be your grandpa continually retelling the same stories. But for the next generations, I’ll summarize some of the road’s highlights. Completed in 1926, U.S. Route 66 was one of the first paved highways across the west. It ran from Chicago to Santa Monica and provided an economical alternative to train travel. It was known as the Will Rodgers Highway, Main Street America, and the Mother Road. During the Dust Bowl and Depression era, thousands of migrants traveled west on the highway in search of a new life, a story that John Steinbeck captured in his epic novel Grapes of Wrath. My generation grew up watching Route 66 on a black and white 17” TV. The show’s two male characters—Martin Milner and George Maharis—traveled across the country in a Corvette. Their travels involved but weren’t limited to 66, and no one questioned their sexual orientation back then. The show turned the highway into a symbol of escape and adventure and permanently linked the Corvette to Route 66. (Incidentally, the show’s theme song made Billboard’s top 30 list.) The building of the Interstate System killed Route 66. The freeways went around towns and eliminated stop lights and speed traps. Without Federal money, states abandoned the road and began digging it up.
Angie’s Chair – Angie (cardboard cutout) and his wife-Vilma-founded the Route 66 revival movement from his Seligman barber shop and pool hall. I wanted to get my hair cut, but he was home sick with the flu.
In 1978 when Interstate 40 opened and bypassed Seligman, the town’s commerce disappeared, and that put the town’s existence in jeopardy. But the town’s barber administered CPR. Angel Delgadillo met with representatives from other affected communities, and they formed an organization to turn things around. They worked to make the old US 66 a Historic Highway. Within a year, the association successfully lobbied the Arizona State Government to declare the section between Kingman and Seligman a Historic Highway, with parts from Ash Fork to California added later. After that, other states followed our example, and they tagged sections of the remaining road as historic.
The nostalgia caught on, and soon gift shops were selling Route 66 kitsch and memorabilia. Each year, the Historic Route 66 Association organizes a Fun Run. On the first weekend in May over 800 cars gather in Seligman for a car show in the morning before driving en masse to Kingman for the night. The next day, they continue to Needles. Most of the participants are of my generation and are driving cars they wish they had in high school. 2019’s annual run will be the 32nd year.
On our Seligman visit, we saw several businesses competing for customers by displaying memorabilia and vintage cars out front. Of the samples we saw, this one stood out. It’s the Rusty Bolt Saloon and—along with the signs and flags—they added mannequins to their building. I’ll tell you that when you drive by, you think there’s a wild party going on here. I took this shot early in the morning as the sun came up and I liked how the statues stood out in the sun. The other advantage to shooting that early is the lack of tour buses parked along the sidewalk.
You can see a larger version of Rusty Bolt on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we return to Seligman and more photos.
In the spring of 1959, my dad traded in his ’52 Ford Business Coupé for a brand new Ford station wagon. It was two-tone — white over red — with red vinyl seats, push button radio and 4-60 air conditioning — you’d roll all four windows down at 60 miles an hour for greatest effect. Neither my three sisters nor I had a clue why he bought the new car. His pride and joy was the ’56 Crown Victoria that was in the garage. We didn’t need a reason, and we didn’t care. It was new and shiny and had pretty wide white walls. As we found out later, he bought it so we could visit his uncle in California. The six of us were taking a two-week road trip from Pittsburgh to LA and back. We were the Griswolds prototype.
When my dad was behind the wheel, he focused on the destination. I don’t think the man would have stopped for a bathroom break had not one of us been whining from the back. We started out on Friday evening, and drove all night to Chicago, but not stopping until the next evening in Joplin. Mom may have done a stint, but we were asleep in the back.
We were on Route 66, The Mother Road. We didn’t appreciate its significance then, the TV show wouldn’t air for another year and we were too busy making truckers honk their air horns. My dad was relentless, he wouldn’t stop to see the Jackalope, the Thing, the Grand Canyon, or any of the other cool places that cost time and money. Can you imagine torturing kids like that? Signs along the road … “The Thing – 50 miles”, “The Thing – 10 miles”, 5, 4, 3, etc. At least he didn’t stop the car to kill us. Of course, that would have meant stopping the car.
A pair of Chinle Shale formations showing the different colored layers of volcanic ash.
He did stop at one place — The Petrified Forest — he had to. The stupid road ran right through it. He said we could stop and go through the park and we were giddy. Finally, we’d see something and maybe get a break from the treeless desert we drove through. A forest, with trees; made from rocks … yeah! Imagine our shock when we saw all the rock-trees were knocked over. This wasn’t a respite from the desert, this was just more desert … with cool looking rocks. “There’s so many of them, can I take just one mom … huh? … huh? … Can I?” Even now, I sound so annoying, I want to slap myself.
The stops along the park road show off the park’s best. This is the Large Trees exhibit.
Within a month of our return from that vacation, my parents sold our Monroeville house and the second car. They got rid of most of our excess baggage and we moved to California. We settled into a Sylmar rental house so quickly that none of us kids missed a day of school. Although our family drove along Route 66 four more times, we never again stopped at the Petrified Forest. After I moved to Arizona decades later, I made two photography outings to the park on my own.
My favorite part of the park is Blue Mesa with its maze of Chinle Shale erosion.
Yesterday, I took Queen Anne to visit the park for her first visit. Despite what Google Maps says, it’s only an hour trip along U.S. Route 180. The road follows the Little Colorado as the river descends from the grass-covered Springerville Volcanic Fields, past the little town of Saint Johns where the cinder cones give way to dirty tan sandstone. The red silt river played hide and seek, only revealing itself when it passed under the empty highway. As the elevation continued to drop, the sandstone formed low tables and — where water eroded the softer underlying shale — large angular blocks broke off and slumped on the red soil below. Further along, I saw a bright white swell that I guessed was Chinle Shale and I knew we were almost there.
When we visit a national park, we head straight to the visitor center. That’s where you learn stuff … besides, I love those giant relief maps — which they didn’t have here. This time, we sat through the documentary film, browsed the museum exhibits, picked up some pamphlets, and bought two photo books before driving north along the road. As a photographer, I want to see the ‘long-shot’ first, so we slowly drove the road’s length. I made mental notes as we went, and tried to figure out how I’d shoot those images after the crowd thinned. After we turned around, we stopped at each pull-out, walked the trails, and photographed what we saw. As the day passed, I watched how the light and the sky changed as clouds formed over the White Mountains and the San Francisco Peaks before they drifted away in the invisible air stream.
Along the bank of the Puerco River, a Pueblo ruin can be explored at leisure.
We discovered that the park isn’t just about petrified trees, it’s about layers. There are layers of soil and rocks, layers of flora and fauna, and layers of settlers and travelers for everyone to see in an open time capsule. As each rainy season washes away soil, more fossils are uncovered. There are fossils of ferns, grasses, lizards, crocodiles, toads, dinosaurs … and yes, trees. People before us settled this land, and they’ve left things behind for us to find. They left arrowheads, baskets, weaving, petroglyphs, and along the bank of the Puerco River, a pueblo ruin. Other people have traveled through the park. The Mogollon’s had trade routes to and from the Pueblos in New Mexico. In 1853, Lt. Amiel Weeks Whipple used those trails to survey the route now used by Burlington Northern Santa Fé Railroad. The tracks were a basis for U.S. Route 66 and now Interstate 40. These routes are layer upon layer of traders and countless migrants moving across the Colorado Plateau.
To commemorate the famous highway, the park service placed a 1932 Studebaker shell at the place where the highway and park road crossed.
Even though the National Park’s mission is to preserve and protect natural history, I was pleasantly surprised to see a nod to history more recent. There’s a turn-out north of the Interstate 40 bridge marked by a rusty skeleton of a 1932 Studebaker on blocks. It’s the spot where Route 66 passed through the park. The pavement has returned to grass and sage, and only the telephone poles give away the road’s alignment. The road of my past. While I was photographing the scene, I swore I heard distant echoes of four kids in a red and white station wagon, begging dad to stop.
